[Lynda.com] Introduction to Music in Film and Video [2016, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊΠΈ Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌΒ
[Lynda.com] Introduction to Music in Film and Video [2016, ENG]
ΠΠΎΠ΄ Π²ΡΠΏΡΡΠΊΠ°: 2016
ΠΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: Lynda.com
Π‘Π°ΠΉΡ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: www.lynda.com/filmmaking-tutorials/Introduction-Music-Film-Video/484465-2.html
ΠΠ²ΡΠΎΡ: Ashley Kennedy
ΠΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ: 01:49:00
Π’ΠΈΠΏ ΡΠ°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°: ΠΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊ
Π€Π°ΠΉΠ»Ρ ΠΏΡΠΈΠΌΠ΅ΡΠΎΠ²: ΠΎΡΡΡΡΡΡΠ²ΡΡΡ
Π€ΠΎΡΠΌΠ°Ρ Π²ΠΈΠ΄Π΅ΠΎ: MP4
ΠΠΈΠ΄Π΅ΠΎ: AVC, 1280x720, 16:9, 30.000 fps, 2 564 Kbps
ΠΡΠ΄ΠΈΠΎ: AAC, 48.0 KHz, 160 Kbps, 2 channelsΒ
Π―Π·ΡΠΊ: ΠΠ½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ
Π Π°Π·ΠΌΠ΅Ρ: Β 2.03 GB
ΠΡΠΎΡ ΠΊΡΡΡ ΠΈΡΡΠ»Π΅Π΄ΡΠ΅Ρ ΡΠ΅ΠΎΡΠΈΡ ΠΈ ΠΏΡΠΎΡΠ΅ΡΡ, ΠΊΠ°ΠΊ ΠΌΡΠ·ΡΠΊΠ° ΡΠΎΡΠ΅ΡΠ°Π΅ΡΡΡ Ρ Π΄Π²ΠΈΠΆΡΡΠΈΠΌΡΡ ΠΈΠ·ΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠ΅ΠΌ. ΠΠ²ΡΠΎΡ ΠΊΡΡΡΠ° ΠΡΠ»ΠΈ ΠΠ΅Π½Π½Π΅Π΄ΠΈ Π½Π°ΡΠΈΠ½Π°Π΅Ρ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°ΡΡ Π½Π΅Π²Π΅ΡΠΎΡΡΠ½ΡΡ ΡΠΈΠ»Ρ ΠΌΡΠ·ΡΠΊΠΈ ΠΈ Π΅Π΅ Π²Π»ΠΈΡΠ½ΠΈΠ΅ Π½Π° ΡΠΎΠ½, ΡΠΌΠΎΡΠΈΠΈ, ΠΈ ΠΏΠΎΠ²Π΅ΡΡΠ²ΠΎΠ²Π°Π½ΠΈΠ΅ Π² ΡΠΈΠ»ΡΠΌΠ΅. ΠΠ½Π° Π²ΠΊΠ»ΡΡΠ°Π΅Ρ Π² ΡΠ΅Π±Ρ ΡΠ΅Π°Π»ΡΠ½ΡΠ΅ ΠΏΡΠΈΠΌΠ΅ΡΡ, ΠΊΠΎΡΠΎΡΡΠ΅ ΠΏΠΎΠΊΠ°Π·ΡΠ²Π°ΡΡ, ΠΊΠ°ΠΊ ΠΌΡΠ·ΡΠΊΠ° ΠΌΠΎΠΆΠ΅Ρ ΠΎΠΏΡΠ΅Π΄Π΅Π»ΠΈΡΡ ΡΠΈΡΠΌ ΠΈ ΡΡΠΈΠ»Ρ ΡΡΠ΅Π½Ρ; ΠΊΠ°ΠΊ ΠΎΠ½Π° ΠΌΠΎΠΆΠ΅Ρ ΡΡΠ°ΡΡ ΠΊΠ»ΡΡΠΎΠΌ ΠΊΠΈΠ½Π΅ΠΌΠ°ΡΠΎΠ³ΡΠ°ΡΠΈΡΠ΅ΡΠΊΠΈΡ ΡΠ΅ΠΌ; ΠΈ ΠΊΠ°ΠΊ ΡΡΠΎ ΠΌΠΎΠΆΠ΅Ρ ΡΠΎΠ·Π΄Π°ΡΡ Π΅Π΄ΠΈΠ½ΡΡΠ²ΠΎ ΠΊΠ°Π΄ΡΠΎΠ² ΠΈ ΡΡΠ΅Π½.
Introduction to Music in Film and Video explores the theory and process of how music combines with the moving image. Staff author Ashley Kennedy begins by exploring the incredible power of music and its effect on tone, emotion, and narrative in film. She incorporates real-world examples to show how music can define a scene's rhythm and style; how it can establish key cinematic themes; and how it can bring unity to shots and scenes. She then explains how to form a proper music plan for the film, from determining the goals and intentions to defining what type of music will serve the project best. After the music planning stage, comes the actual music selectionβand Ashley goes through various options in using different types of preexisting musicβas well as what it takes to collaborate with a composer.
Topics include:
* Understanding the impact of music on tone, emotion, subtext, rhythm, style, and theme
* Setting the music plan
* Working with preexisting music: public domain, Creative Commons, and production library music
* Working with a composerΒ