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ΠžΠ±ΡƒΡ‡Π΅Π½ΠΈΠ΅ ID: 1636

[Lynda.com] Introduction to Music in Film and Video [2016, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡƒΡ€ΠΎΠΊΠΈ Π½Π° английском 

Π‘ΠΊΠ°Ρ‡Π°Ρ‚ΡŒ [Lynda.com] Introduction to Music in Film and Video [2016, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡƒΡ€ΠΎΠΊΠΈ Π½Π° английском 


[Lynda.com] Introduction to Music in Film and Video [2016, ENG]

Π“ΠΎΠ΄ выпуска: 2016
ΠŸΡ€ΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡ‚Π΅Π»ΡŒ: Lynda.com
Π‘Π°ΠΉΡ‚ производитСля: www.lynda.com/filmmaking-tutorials/Introduction-Music-Film-Video/484465-2.html
Автор: Ashley Kennedy
ΠŸΡ€ΠΎΠ΄ΠΎΠ»ΠΆΠΈΡ‚Π΅Π»ΡŒΠ½ΠΎΡΡ‚ΡŒ: 01:49:00
Π’ΠΈΠΏ Ρ€Π°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΠ°Π»Π°: Π’ΠΈΠ΄Π΅ΠΎΡƒΡ€ΠΎΠΊ
Π€Π°ΠΉΠ»Ρ‹ ΠΏΡ€ΠΈΠΌΠ΅Ρ€ΠΎΠ²: ΠΎΡ‚ΡΡƒΡ‚ΡΡ‚Π²ΡƒΡŽΡ‚
Π€ΠΎΡ€ΠΌΠ°Ρ‚ Π²ΠΈΠ΄Π΅ΠΎ: MP4
Π’ΠΈΠ΄Π΅ΠΎ: AVC, 1280x720, 16:9, 30.000 fps, 2 564 Kbps
Аудио: AAC, 48.0 KHz, 160 Kbps, 2 channelsΒ 
Π―Π·Ρ‹ΠΊ: Английский
Π Π°Π·ΠΌΠ΅Ρ€: Β 2.03 GB

Π­Ρ‚ΠΎΡ‚ курс исслСдуСт Ρ‚Π΅ΠΎΡ€ΠΈΡŽ ΠΈ процСсс, ΠΊΠ°ΠΊ ΠΌΡƒΠ·Ρ‹ΠΊΠ° сочСтаСтся с двиТущимся ΠΈΠ·ΠΎΠ±Ρ€Π°ΠΆΠ΅Π½ΠΈΠ΅ΠΌ. Автор курса Эшли КСннСди Π½Π°Ρ‡ΠΈΠ½Π°Π΅Ρ‚ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°Ρ‚ΡŒ Π½Π΅Π²Π΅Ρ€ΠΎΡΡ‚Π½ΡƒΡŽ силу ΠΌΡƒΠ·Ρ‹ΠΊΠΈ ΠΈ Π΅Π΅ влияниС Π½Π° Ρ‚ΠΎΠ½, эмоции, ΠΈ повСствованиС Π² Ρ„ΠΈΠ»ΡŒΠΌΠ΅. Она Π²ΠΊΠ»ΡŽΡ‡Π°Π΅Ρ‚ Π² сСбя Ρ€Π΅Π°Π»ΡŒΠ½Ρ‹Π΅ ΠΏΡ€ΠΈΠΌΠ΅Ρ€Ρ‹, ΠΊΠΎΡ‚ΠΎΡ€Ρ‹Π΅ ΠΏΠΎΠΊΠ°Π·Ρ‹Π²Π°ΡŽΡ‚, ΠΊΠ°ΠΊ ΠΌΡƒΠ·Ρ‹ΠΊΠ° ΠΌΠΎΠΆΠ΅Ρ‚ ΠΎΠΏΡ€Π΅Π΄Π΅Π»ΠΈΡ‚ΡŒ Ρ€ΠΈΡ‚ΠΌ ΠΈ ΡΡ‚ΠΈΠ»ΡŒ сцСны; ΠΊΠ°ΠΊ ΠΎΠ½Π° ΠΌΠΎΠΆΠ΅Ρ‚ ΡΡ‚Π°Ρ‚ΡŒ ΠΊΠ»ΡŽΡ‡ΠΎΠΌ кинСматографичСских Ρ‚Π΅ΠΌ; ΠΈ ΠΊΠ°ΠΊ это ΠΌΠΎΠΆΠ΅Ρ‚ ΡΠΎΠ·Π΄Π°Ρ‚ΡŒ Сдинство ΠΊΠ°Π΄Ρ€ΠΎΠ² ΠΈ сцСн.

Introduction to Music in Film and Video explores the theory and process of how music combines with the moving image. Staff author Ashley Kennedy begins by exploring the incredible power of music and its effect on tone, emotion, and narrative in film. She incorporates real-world examples to show how music can define a scene's rhythm and style; how it can establish key cinematic themes; and how it can bring unity to shots and scenes. She then explains how to form a proper music plan for the film, from determining the goals and intentions to defining what type of music will serve the project best. After the music planning stage, comes the actual music selectionβ€”and Ashley goes through various options in using different types of preexisting musicβ€”as well as what it takes to collaborate with a composer.

Topics include:

* Understanding the impact of music on tone, emotion, subtext, rhythm, style, and theme
* Setting the music plan
* Working with preexisting music: public domain, Creative Commons, and production library music
* Working with a composerΒ