[Faderpro] The Art Of Remix [2012, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊΠΈ Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌΒ
[Faderpro] The Art Of Remix [2012, ENG]
ΠΠΎΠ΄ Π²ΡΠΏΡΡΠΊΠ°: 2012
ΠΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: Faderpro
Π‘Π°ΠΉΡ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: http://tiny.cc/bn887
ΠΠ²ΡΠΎΡ: Vincent di Pasquale
ΠΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ: 7 ΡΠ°ΡΠΎΠ² 28 ΠΌΠΈΠ½ΡΡ
Π’ΠΈΠΏ ΡΠ°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°: ΠΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊ
Π€Π°ΠΉΠ»Ρ ΠΏΡΠΈΠΌΠ΅ΡΠΎΠ²: ΠΏΡΠΈΡΡΡΡΡΠ²ΡΡΡ
Π€ΠΎΡΠΌΠ°Ρ Π²ΠΈΠ΄Π΅ΠΎ: MOV
ΠΠΈΠ΄Π΅ΠΎ: AVC 768 ΠΏΠΈΠΊΡΠ΅Π»Π΅ΠΉ Π½Π° 576 ΠΏΠΈΠΊΡΠ΅Π»Π΅ΠΉ 4:3 29,970 ΠΊΠ°Π΄ΡΠΎΠ²/ΡΠ΅ΠΊ 1141 ΠΠ±ΠΈΡ/ΡΠ΅ΠΊ
ΠΡΠ΄ΠΈΠΎ: AAC 44,1 ΠΠΡ 148 ΠΠ±ΠΈΡ/ΡΠ΅ΠΊ 2 ΠΊΠ°Π½Π°Π»Π°Β
Π―Π·ΡΠΊ: ΠΠ½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ
Π Π°Π·ΠΌΠ΅Ρ: Β 3.73 GB
ΠΡΡΡ ΠΎ ΡΠΎΠΌ ΠΊΠ°ΠΊ Π³ΡΠ°ΠΌΠΎΡΠ½ΠΎ Π΄Π΅Π»Π°ΡΡ ΡΠ΅ΠΌΠΈΠΊΡΡ Π½Π° ΠΈΠ·Π²Π΅ΡΡΠ½ΡΠ΅ ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΠΈ. ΠΠ°ΠΊ ΠΏΡΠΈΠ²Π½Π΅ΡΡΠΈ ΡΠ²ΠΎΡ Ρ Π°ΡΠ°ΠΊΡΠ΅ΡΠ½ΠΎΡΡΡ ΠΈ ΡΠΎΠ·Π΄Π°ΡΡ Π½Π΅ΡΡΠΎ Π½ΠΎΠ²ΠΎΠ΅ Π½Π° Π±Π°Π·Π΅ Π³ΠΎΡΠΎΠ²ΠΎΠ³ΠΎ ΡΡΠ΅ΠΊΠ°. Π Π°Π±ΠΎΡΠ° ΠΏΡΠΎΠ²Π΅Π΄Π΅Π½Π° Π² ΠΏΡΠΎΠ³ΡΠ°ΠΌΠΌΠ΅ Logic, Π½ΠΎ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΡ ΠΏΠΎΠ΄Π°ΡΡΡΡ ΡΠ°ΠΊ, ΡΡΠΎ ΠΎΠΏΠΈΡΡΠ²Π°Π΅ΠΌΡΠ΅ ΠΏΡΠΈΠ΅ΠΌΡ ΠΈ ΡΠ΅Ρ Π½ΠΈΠΊΠΈ ΠΌΠΎΠ³ΡΡ Π±ΡΡΡ Π²Π·ΡΡΡ Π½Π° Π²ΠΎΠΎΡΡΠΆΠ΅Π½ΠΈΠ΅ Π² Π»ΡΠ±ΠΎΠΌ Ρ ΠΎΡΡΠ΅.Β
Π‘ΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠ΅
Chapters 1-6 > cover the basics of getting to grips with your remix: setting up the Logic project, finding the track tempo and key, and time-stretching track stems.
Chapters 7-10 > build the rhythm: lay down a basic drum patterns using the arrange window and Ultrabeat, mix and process your drums, add creative groove elements using samples and learn to create your own Apple Loops.
Chapters 11-13 > rock your bassline: consider the four types of bassline (on-beat, 1/8 note, sustained and melodic), bassline patches, layering and processing, as well as how to record your own live bassline into Logic.
Chapter 14 & 29 > keep your project organised: name your track and regions, colour-code the arrangement and group audio tracks in preparation for the final mix.
Chapters 15-17 > get musical: learn how to build lead lines and chords for your remix, add musical accents and utilise plug-ins from EQ and distortion to compressor and bit-crusher.
Chapters 18-19 > add energy and excitement into the mix: reverse reverbs, sweep FX, sidechaining, a dedicated delay track and bounce down your effects.
Chapters 20-28 > the arrangement: consider radio and extended edits, create grouped tracks, tackle vocal arrangement and finishing touches and more.
Chapters 30-38 > finishing the mix: understanding the loudness of your mix, processing the master bus in- and out-side the box, send FX, mixing the drums, bass, vocals and musical elements.
Chapters 39-40 > automation to keep the mix dynamic: touch and latch automation, using a control surface for automation and bouncing it to audio.
Chapters 41-42 > bouncing the track: printing the final passes (main pass, vocal up and down, instrumental, acapella, radio edit).