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ΠžΠ±ΡƒΡ‡Π΅Π½ΠΈΠ΅ ID: 1202

[Faderpro] The Art Of Remix [2012, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡƒΡ€ΠΎΠΊΠΈ Π½Π° английском 

Π‘ΠΊΠ°Ρ‡Π°Ρ‚ΡŒ [Faderpro] The Art Of Remix [2012, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡƒΡ€ΠΎΠΊΠΈ Π½Π° английском 


[Faderpro] The Art Of Remix [2012, ENG]

Π“ΠΎΠ΄ выпуска: 2012
ΠŸΡ€ΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡ‚Π΅Π»ΡŒ: Faderpro
Π‘Π°ΠΉΡ‚ производитСля: http://tiny.cc/bn887
Автор: Vincent di Pasquale
ΠŸΡ€ΠΎΠ΄ΠΎΠ»ΠΆΠΈΡ‚Π΅Π»ΡŒΠ½ΠΎΡΡ‚ΡŒ: 7 часов 28 ΠΌΠΈΠ½ΡƒΡ‚
Π’ΠΈΠΏ Ρ€Π°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΠ°Π»Π°: Π’ΠΈΠ΄Π΅ΠΎΡƒΡ€ΠΎΠΊ
Π€Π°ΠΉΠ»Ρ‹ ΠΏΡ€ΠΈΠΌΠ΅Ρ€ΠΎΠ²: ΠΏΡ€ΠΈΡΡƒΡ‚ΡΡ‚Π²ΡƒΡŽΡ‚
Π€ΠΎΡ€ΠΌΠ°Ρ‚ Π²ΠΈΠ΄Π΅ΠΎ: MOV
Π’ΠΈΠ΄Π΅ΠΎ: AVC 768 пиксСлСй Π½Π° 576 пиксСлСй 4:3 29,970 ΠΊΠ°Π΄Ρ€ΠΎΠ²/сСк 1141 ΠšΠ±ΠΈΡ‚/сСк
Аудио: AAC 44,1 ΠšΠ“Ρ† 148 ΠšΠ±ΠΈΡ‚/сСк 2 ΠΊΠ°Π½Π°Π»Π°Β 
Π―Π·Ρ‹ΠΊ: Английский
Π Π°Π·ΠΌΠ΅Ρ€: Β 3.73 GB

ΠšΡƒΡ€Ρ ΠΎ Ρ‚ΠΎΠΌ ΠΊΠ°ΠΊ Π³Ρ€Π°ΠΌΠΎΡ‚Π½ΠΎ Π΄Π΅Π»Π°Ρ‚ΡŒ рСмиксы Π½Π° извСстныС ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡ†ΠΈΠΈ. Как привнСсти свою Ρ…Π°Ρ€Π°ΠΊΡ‚Π΅Ρ€Π½ΠΎΡΡ‚ΡŒ ΠΈ ΡΠΎΠ·Π΄Π°Ρ‚ΡŒ Π½Π΅Ρ‡Ρ‚ΠΎ Π½ΠΎΠ²ΠΎΠ΅ Π½Π° Π±Π°Π·Π΅ Π³ΠΎΡ‚ΠΎΠ²ΠΎΠ³ΠΎ Ρ‚Ρ€Π΅ΠΊΠ°. Π Π°Π±ΠΎΡ‚Π° ΠΏΡ€ΠΎΠ²Π΅Π΄Π΅Π½Π° Π² ΠΏΡ€ΠΎΠ³Ρ€Π°ΠΌΠΌΠ΅ Logic, Π½ΠΎ информация подаётся Ρ‚Π°ΠΊ, Ρ‡Ρ‚ΠΎ описываСмыС ΠΏΡ€ΠΈΠ΅ΠΌΡ‹ ΠΈ Ρ‚Π΅Ρ…Π½ΠΈΠΊΠΈ ΠΌΠΎΠ³ΡƒΡ‚ Π±Ρ‹Ρ‚ΡŒ взяты Π½Π° Π²ΠΎΠΎΡ€ΡƒΠΆΠ΅Π½ΠΈΠ΅ Π² любом хостС.Β 

Π‘ΠΎΠ΄Π΅Ρ€ΠΆΠ°Π½ΠΈΠ΅

Chapters 1-6 > cover the basics of getting to grips with your remix: setting up the Logic project, finding the track tempo and key, and time-stretching track stems.
Chapters 7-10 > build the rhythm: lay down a basic drum patterns using the arrange window and Ultrabeat, mix and process your drums, add creative groove elements using samples and learn to create your own Apple Loops.
Chapters 11-13 > rock your bassline: consider the four types of bassline (on-beat, 1/8 note, sustained and melodic), bassline patches, layering and processing, as well as how to record your own live bassline into Logic.
Chapter 14 & 29 > keep your project organised: name your track and regions, colour-code the arrangement and group audio tracks in preparation for the final mix.
Chapters 15-17 > get musical: learn how to build lead lines and chords for your remix, add musical accents and utilise plug-ins from EQ and distortion to compressor and bit-crusher.
Chapters 18-19 > add energy and excitement into the mix: reverse reverbs, sweep FX, sidechaining, a dedicated delay track and bounce down your effects.
Chapters 20-28 > the arrangement: consider radio and extended edits, create grouped tracks, tackle vocal arrangement and finishing touches and more.
Chapters 30-38 > finishing the mix: understanding the loudness of your mix, processing the master bus in- and out-side the box, send FX, mixing the drums, bass, vocals and musical elements.
Chapters 39-40 > automation to keep the mix dynamic: touch and latch automation, using a control surface for automation and bouncing it to audio.
Chapters 41-42 > bouncing the track: printing the final passes (main pass, vocal up and down, instrumental, acapella, radio edit).