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[Lynda.com] Foundations of Audio Reverb (UPDATE) [2014, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡƒΡ€ΠΎΠΊΠΈ Π½Π° английском 

Π‘ΠΊΠ°Ρ‡Π°Ρ‚ΡŒ [Lynda.com] Foundations of Audio Reverb (UPDATE) [2014, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡƒΡ€ΠΎΠΊΠΈ Π½Π° английском 


[Lynda.com] Foundations of Audio: Reverb (UPDATE) [2014, ENG]

Π“ΠΎΠ΄ выпуска: 2014
ΠŸΡ€ΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡ‚Π΅Π»ΡŒ: Lynda.com
Π‘Π°ΠΉΡ‚ производитСля: www.lynda.com/Audio-tutorials/Foundations-Audio-Reverb/89707-2.html
Автор: Alex U. Case
ΠŸΡ€ΠΎΠ΄ΠΎΠ»ΠΆΠΈΡ‚Π΅Π»ΡŒΠ½ΠΎΡΡ‚ΡŒ: 03:05:00
Π’ΠΈΠΏ Ρ€Π°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΠ°Π»Π°: Π’ΠΈΠ΄Π΅ΠΎΡƒΡ€ΠΎΠΊ
Π―Π·Ρ‹ΠΊ: Английский
Π Π°Π·ΠΌΠ΅Ρ€: Β 3.49 GB

Π­Ρ‚ΠΎΡ‚ курс ΠΎΠ±ΡŠΡΡΠ½ΡΠ΅Ρ‚ ΠΎΠ΄ΠΈΠ½ ΠΈΠ· Π½Π°ΠΈΠ±ΠΎΠ»Π΅Π΅ Π²Π°ΠΆΠ½Ρ‹Ρ… ΠΈΠ½Π³Ρ€Π΅Π΄ΠΈΠ΅Π½Ρ‚ΠΎΠ² Π² ΠΌΠΈΠΊΡˆΠΈΡ€ΠΎΠ²Π°Π½ΠΈΡ Π·Π²ΡƒΠΊΠ°. РСвСрбСрация - это врСмя, ΠΊΠΎΡ‚ΠΎΡ€ΠΎΠ΅ Π½ΡƒΠΆΠ½ΠΎ Π·Π²ΡƒΠΊΡƒ, Ρ‡Ρ‚ΠΎΠ±Ρ‹ ΠΎΡ‚Ρ€Π°Π·ΠΈΡ‚ΡŒΡΡ, эхо, ΠΈ распад Π²ΠΎ врСмя ΠΆΠΈΠ²ΠΎΠ³ΠΎ исполнСния ΠΈΠ»ΠΈ записи. РСвСрбСрация Π΄Π°Π΅Ρ‚ СстСствСнноС богатство вашим записям, ΠΊΠΎΡ‚ΠΎΡ€ΠΎΠ΅ ΠΌΠΎΠΆΠ½ΠΎ Π²ΠΎΡΡΠΎΠ·Π΄Π°Ρ‚ΡŒ. ΠŸΡ€ΠΎΠ΄ΡŽΡΠ΅Ρ€ ΠΈ звукорСТиссСр Alex U. Case Π² своСм курсС, ΠΎΡ…Π²Π°Ρ‚ΠΈΡ‚ акустику, мСханичСскиС ΠΈ Ρ†ΠΈΡ„Ρ€ΠΎΠ²Ρ‹Π΅ устройства для создания Ρ€Π΅Π²Π΅Ρ€Π±Π΅Ρ€Π°Ρ†ΠΈΠΈ, Π΄ΠΈΠ°Π³Ρ€Π°ΠΌΠΌΡ‹ ΠΏΠ°Ρ€Π°ΠΌΠ΅Ρ‚Ρ€ΠΎΠ² (Ρ€Π°Π·ΠΌΠ΅Ρ€ ΠΊΠΎΠΌΠ½Π°Ρ‚Ρ‹, ΠΏΠ»ΠΎΡ‚Π½ΠΎΡΡ‚ΡŒ ΠΈ Π΄Ρ€.), ΠΊΠΎΡ‚ΠΎΡ€Ρ‹Π΅ Π²Π°ΠΌ Π½ΡƒΠΆΠ½ΠΎ Π·Π½Π°Ρ‚ΡŒ, Ρ‡Ρ‚ΠΎΠ±Ρ‹ Π²ΠΎΡΠΏΠΎΠ»ΡŒΠ·ΠΎΠ²Π°Ρ‚ΡŒΡΡ ΠΎΡ€ΠΈΠ³ΠΈΠ½Π°Π»ΡŒΠ½Ρ‹ΠΌ записанным пространством ΠΈ Ρ€Π°ΡΡˆΠΈΡ€ΠΈΡ‚ΡŒ Π΅Π³ΠΎ влияниС.

Π‘ΠΎΠ΄Π΅Ρ€ΠΆΠ°Π½ΠΈΠ΅

0. Introduction 9m 41s
Welcome 1m 58s
What you need to know before watching this course 2m 18s
Songs you should listen to while watching this course 2m 46s
Using the exercise files 55s
Using the Get in the Mix session files 1m 44s

1. Understanding Reverberation 6m 44s
What is reverb? 2m 35s
Why do we use reverb? 4m 9s

2. Technologies for Creating Reverb 24m 33s
Capturing reverb acoustically through room tracks 5m 33s
Creating reverb acoustically through a reverb chamber 2m 51s
Creating reverb mechanically using springs and plates 5m 8s
Creating reverb digitally via algorithms and convolution 4m 51s
Optimizing signal flow, effects loops, and CPU resources 6m 10s

3. Key Parameters and Reference Values 39m 10s
The anatomy of reverberation 3m 8s
Mastering reverb time, predelay, and wet/dry mix parameters 5m 36s
Understanding the frequency dependence of reverberation 4m 56s
Tapping into advanced parameters such as diffusion, density, and more 4m 37s
Reference values from the best orchestra halls 5m 40s
Hearing beyond the basic parameters 5m 31s
Touring the interfaces for six reverb plugins 9m 42s

4. Reverb Techniques 1h 32m
Choosing the right reverb for each of your tracks 2m 17s
Simulating space with reverb 5m 42s
Hearing space in the mix 6m 33s
Timbre and texture 3m 36s
Shaping tone and timbre with reverb 5m 49s
Creating contrasting sounds for your tracks 4m 43s
Using nonlinear reverb to help a track cut through 4m 25s
Emphasizing the reverb using predelay 3m 24s
Strategically blurring and obscuring tracks 1m 46s
Get in the Mix: Changing the scene by changing reverb UPDATED 7m 37s
Get in the Mix: Gating reverb to emphasize any track in your production UPDATED 5m 52s
Reversing reverb to highlight musical moments 9m 36s
Synthesizing new sounds through reverb 6m 42s
Get in the Mix: Supporting a track with regenerative reverb UPDATED 6m 31s
Getting the most out of room tracks 17m 39s

5. Advanced Reverb Topics 11m 32s
Setting up your own reverb chamber: The architecture 2m 2s
Setting up your own reverb chamber: The audio 4m 8s
Using convolution correctly 2m 32s
Getting great impluse response 2m 50s

6. Conclusion 1m 29s
Next steps 1m 29s