[Lynda.com] Foundations of Audio Delay and Modulation [18.01.2012, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊΠΈ Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌΒ
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[Lynda.com] Foundations of Audio: Delay and Modulation [18.01.2012, ENG]
ΠΠΎΠ΄ Π²ΡΠΏΡΡΠΊΠ°: 18.01.2012
ΠΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: Lynda.com
Π‘Π°ΠΉΡ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: http://tiny.cc/stvy0
ΠΠ²ΡΠΎΡ: Alex U. Case
ΠΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ: 02:17 Ρ
Π’ΠΈΠΏ ΡΠ°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°: ΠΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊ
Π€Π°ΠΉΠ»Ρ ΠΏΡΠΈΠΌΠ΅ΡΠΎΠ²: ΠΏΡΠΈΡΡΡΡΡΠ²ΡΡΡ
Π€ΠΎΡΠΌΠ°Ρ Π²ΠΈΠ΄Π΅ΠΎ: MOV
ΠΠΈΠ΄Π΅ΠΎ: AVC 960 ΠΏΠΈΠΊΡΠ΅Π»Π΅ΠΉ Π½Π° 540 ΠΏΠΈΠΊΡΠ΅Π»Π΅ΠΉ 16:9 29,970 ΠΊΠ°Π΄ΡΠΎΠ²/ΡΠ΅ΠΊ 566 ΠΠ±ΠΈΡ/ΡΠ΅ΠΊ
ΠΡΠ΄ΠΈΠΎ: AAC 48,0 ΠΠΡ 160 ΠΠ±ΠΈΡ/ΡΠ΅ΠΊ 2 ΠΊΠ°Π½Π°Π»Π°Β
Π―Π·ΡΠΊ: ΠΠ½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ
Π Π°Π·ΠΌΠ΅Ρ: Β 3.45 GBΒ
Π ΡΡΠΎΠΌ ΠΊΡΡΡΠ΅ ΡΠ°ΡΡΠΊΠ°Π·ΡΠ²Π°Π΅ΡΡΡ ΠΎΠ± ΠΎΡΠ½ΠΎΠ²Π°Ρ ΡΡΡΠ΅ΠΊΡΠΎΠ² ΠΌΠΎΠ΄ΡΠ»ΡΡΠΈΠΈ, Π° ΡΠ°ΡΡΠ½ΠΎΡΡΠΈ ΠΎ Π΄ΠΈΠ»Π΅Π΅. ΠΠ°ΠΊ ΠΏΡΠ°Π²ΠΈΠ»ΡΠ½ΠΎ ΠΏΡΠΈΠΌΠ΅Π½ΡΡΡ ΡΡΠΈ ΡΡΡΠ΅ΠΊΡΡ ΡΠ°ΠΊ, ΡΡΠΎΠ±Ρ ΡΠ»ΡΡΡΠΈΡΡ Π·Π²ΡΡΠ°Π½ΠΈΠ΅ ΠΌΠΈΠΊΡΠ°? ΠΡΠ΄ΡΡ ΠΏΠΎΠ΄ΡΠΎΠ±Π½ΠΎ ΡΠ°Π·ΠΎΠ±ΡΠ°Π½Ρ ΡΠ°ΠΊΠΈΠ΅ ΠΏΠ°ΡΠ°ΠΌΠ΅ΡΡΡ Π΄ΠΈΠ»Π΅Ρ, ΠΊΠ°ΠΊ ΡΡΠΎΠ²Π΅Π½Ρ Π²ΠΎΠ·Π²ΡΠ°ΡΠ°, ΠΎΠ±ΡΠΈΠΉ ΡΡΠΎΠ²Π΅Π½Ρ, Π²ΡΠ΅ΠΌΡ Π·Π°Π΄Π΅ΡΠΆΠΊΠΈ ΠΈ Π΄ΡΡΠ³ΠΈΠ΅.Β
Π‘ΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠ΅
0.Introduction
Welcome
What you should know before watching this course
How to use the exercise files
Using the "Get In the Mix" Pro Tools and Logic Pro session files
1. Understanding Delay
What is delay?
Creating delay effects overview
Delay time, level, and feedback parameters
Utilizing a low-pass filter and polarity reverse
Setting up an effects loop for delay
Setting up an effects loop in a DAW
Setting the delay time by tempo
Setting the delay time by ear
2. Echo Effects
Overview of short, medium, and long delayss
Long delays
Get in the Mix: Using long delay on key lyrics
Get in the Mix: Establishing groove with long delays
Get in the Mix: Creating slapback echo with long delays
Advanced tape-delay effects
3. Modulation, Chorus, and Doubling Effects
LFO
Get in the Mix: Modulation rate and depth
Get in the Mix: Modulation shape
Delay effects examples in various plug-ins
Medium delays
Get in the Mix: Chorus
Get in the Mix: Double tracking
Get in the Mix: Spreaders and thickeners
4. Spectral Effects from Delay
Constructive and destructive interference
Short delays
Get in the Mix: Creating a comb filter and a flange effect
Get in the Mix: Flanger and phaser effects
5. Conclusion
Using delays in a real-world mix
Course summary and goodbye