[Lynda.com] Foundations of Audio Delay and Modulation (UPDATE) [2014, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊΠΈ Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌΒ
[Lynda.com] Foundations of Audio: Delay and Modulation (UPDATE) [2014, ENG]
ΠΠΎΠ΄ Π²ΡΠΏΡΡΠΊΠ°: 2014
ΠΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: Lynda.com
Π‘Π°ΠΉΡ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: www.lynda.com/Audio-DAW-tutorials/Foundations-of-Audio-Delay-and-Modulation/89708-2.html
ΠΠ²ΡΠΎΡ: Alex U. Case
ΠΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ: 02:27:00
Π’ΠΈΠΏ ΡΠ°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°: ΠΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊ
Π―Π·ΡΠΊ: ΠΠ½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ
Π Π°Π·ΠΌΠ΅Ρ: Β 5.23 GB
Π ΡΡΠΎΠΌ ΠΊΡΡΡΠ΅ ΡΠ°ΡΡΠΊΠ°Π·ΡΠ²Π°Π΅ΡΡΡ ΠΎΠ± ΠΎΡΠ½ΠΎΠ²Π°Ρ ΡΡΡΠ΅ΠΊΡΠΎΠ² ΠΌΠΎΠ΄ΡΠ»ΡΡΠΈΠΈ, Π° ΡΠ°ΡΡΠ½ΠΎΡΡΠΈ ΠΎ Π΄ΠΈΠ»ΡΠ΅. ΠΠ°ΠΊ ΠΏΡΠ°Π²ΠΈΠ»ΡΠ½ΠΎ ΠΏΡΠΈΠΌΠ΅Π½ΡΡΡ ΡΡΠΈ ΡΡΡΠ΅ΠΊΡΡ ΡΠ°ΠΊ, ΡΡΠΎΠ±Ρ ΡΠ»ΡΡΡΠΈΡΡ Π·Π²ΡΡΠ°Π½ΠΈΠ΅ ΠΌΠΈΠΊΡΠ°? ΠΡΠ΄ΡΡ ΠΏΠΎΠ΄ΡΠΎΠ±Π½ΠΎ ΡΠ°Π·ΠΎΠ±ΡΠ°Π½Ρ ΡΠ°ΠΊΠΈΠ΅ ΠΏΠ°ΡΠ°ΠΌΠ΅ΡΡΡ Π΄ΠΈΠ»Π΅Ρ, ΠΊΠ°ΠΊ ΡΡΠΎΠ²Π΅Π½Ρ Π²ΠΎΠ·Π²ΡΠ°ΡΠ°, ΠΎΠ±ΡΠΈΠΉ ΡΡΠΎΠ²Π΅Π½Ρ, Π²ΡΠ΅ΠΌΡ Π·Π°Π΄Π΅ΡΠΆΠΊΠΈ ΠΈ Π΄ΡΡΠ³ΠΈΠ΅.
Π‘ΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠ΅
0. Introduction 4m 58s
Welcome 1m 40s
What you should know before watching this course 50s
How to use the exercise files 54s
Using the "Get In the Mix" Pro Tools session files 1m 34s
1. Understanding Delay 25m 46s
What is delay? 2m 7s
Creating delay effects overview 1m 41s
Delay time, level, and feedback parameters 3m 0s
Utilizing a low-pass filter and polarity reverse 3m 7s
Setting up an effects loop for delay 1m 6s
Setting up an effects loop in a DAW 5m 40s
Setting the delay time by tempo 5m 40s
Setting the delay time by ear 3m 25s
2. Echo Effects 31m 29s
Overview of short, medium, and long delays 3m 49s
Long delays 3m 17s
Get in the Mix: Using long delay on key lyrics UPDATED 7m 2s
Get in the Mix: Establishing groove with long delays UPDATED 8m 42s
Get in the Mix: Creating slap-back echo with long delays UPDATED 6m 6s
Advanced tape-delay effects 2m 33s
3. Modulation, Chorus, and Doubling Effects 49m 48s
LFO 2m 39s
Get in the Mix: Modulation rate and depth UPDATED 7m 32s
Get in the Mix: Modulation shape UPDATED 7m 43s
Delay effects examples in various plug-ins 3m 52s
Medium delays 3m 52s
Get in the Mix: Chorus UPDATED 5m 54s
Get in the Mix: Double tracking UPDATED 6m 23s
Get in the Mix: Spreaders and thickeners UPDATED 11m 53s
4. Spectral Effects from Delay 16m 31s
Constructive and destructive interference 2m 16s
Short delays 1m 6s
Get in the Mix: Creating a comb filter and a flange effect UPDATED 5m 34s
Get in the Mix: Flanger and phaser effects UPDATED 7m 35s
5. Conclusion 19m 11s
Using delays in a real-world mix 16m 59s
Course summary and goodbye 2m 12s