[MacProvideo] Pro Tools 8 402 Mixing Pop in Pro Tools [2009 Π³., ENG] - Π²ΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊΠΈ Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌΒ
![Π‘ΠΊΠ°ΡΠ°ΡΡ [MacProvideo] Pro Tools 8 402 Mixing Pop in Pro Tools [2009 Π³., ENG] - Π²ΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊΠΈ Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌΒ](http://vsthouse.ru/_ld/54/86417790.jpg)
[MacProvideo] Pro Tools 8 402: Mixing Pop in Pro Tools [2009 Π³., ENG]
Π Π°Π·ΡΠ°Π±ΠΎΡΡΠΈΠΊ: MacPROvideo
ΠΠ°ΡΠ° Π²ΡΠΏΡΡΠΊΠ°: 06.08.2009
Π―Π·ΡΠΊ ΠΊΡΡΡΠ° : ΠΠ½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ
Π€ΠΎΡΠΌΠ°Ρ: MP4
ΠΠ°ΡΠ΅ΡΡΠ²ΠΎ: ΠΠΈΠ΄Π΅ΠΎ ΠΊΠΎΠ΄Π΅ΠΊ: AVC. ΠΠΈΠ΄Π΅ΠΎ: 287 Kbps/960x540pixels/16:9/10.000 fps. ΠΡΠ΄ΠΈΠΎ: AAC/112 Kbps/2 channels/44.1 KHz
Π Π°Π·ΠΌΠ΅Ρ: 403 MB
Chris Potter (Π·Π²ΡΠΊΠΎΠΈΠ½ΠΆΠ΅Π½Π΅Ρ, ΡΠ°Π±ΠΎΡΠ°ΡΡΠΈΠΉ Ρ Sarah McLachlan) ΠΏΠΎΠΊΠ°ΠΆΠ΅Ρ ΠΊΠ°ΠΊ Π΄ΠΎΠ±ΠΈΡΡΡΡ ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠ³ΠΎ Π·Π²ΡΠΊΠ° Π² Pop ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΡΡ Ρ ΠΏΠΎΠΌΠΎΡΡΡ Pro Tools, Π½Π°ΡΠΈΠ½Π°Ρ Ρ Π»ΠΎΠ³ΠΈΠΊΠΈ ΠΊΠΎΠΌΠΏΡΠ΅ΡΡΠΈΠΈ ΠΌΠΈΠΊΡΠ°, ΠΌΠΈΠΊΡΠΈΡΠΎΠ²Π°Π½ΠΈΡ ΠΎΡΠ΄Π΅Π»ΡΠ½ΡΡ ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½ΡΠΎΠ², Π²ΡΠ²Π΅ΡΠ΅Π½ΠΈΡ ΡΡΠΎΠ²Π½Π΅ΠΉ Π΄ΠΎ ΠΏΡΠΎΡΠ΅ΡΡΠ° ΡΠ²Π΅Π΄Π΅Π½ΠΈΡ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°.
ΠΡΡΡ ΡΠΎΡΡΠΎΠΈΡ ΠΈΠ· 48 ΡΡΠΎΠΊΠΎΠ²
1: Getting to Know Me
01. Introduction
2: Setting Up the Session
02. Arranging the Tracks
03. Rough Mix
04. Clean Up
05. Group Aux Inputs
06. Effects Returns
07. Master Fader
3: Working with the Drums
08. Drum Panning
09. Phase Check
10. Using Samples
11. The Kick
12. The Snare
13. Hats and Ride
14. Toms
15. Rooms and Ambience
16. Drum Reverb
17. Buss Compression
4: Working with the Bass
18. Bass Track Timing
19. Bass EQ and Compression
20. Bass Level Tracking
5: Working with the Acoustics
21. Acoustics
22. Acoustics Panning
23. Acoustics EQ and Compression
24. Acoustic Reverb
6: Working with the Electrics
25. Electrics
26. Electrics EQ and Compression
27. Electrics Reverb and Effects
7: Working with the Keyboards
28. Keys Sorting and Balance
29. Keys EQ and Compression
30. Keys Reverb and Effects
8: The Lead Vocal
31. Vocals Lead
32. Vocal De-ess
33. Vocal Automation
34. Vocal Effects Send Automation
35. Vocal Wrap Up
9: The Background Vocals
36. Background Vocals Sorting and Panning
37. Background Vocals EQ and Dynamics
38. Background Vocals Effects
10: Getting Ready to Print the Mix
39. Stereo Bus Compression
40. Output Levels
41. The Mix
42. Bounce to Disk
43. Printing to Session
44. Alt Mixes
11: After the Mix
45. Using External Processing
46. Preparing a Backup Session
47. Preparing the Mix for Someone Else
48. Preparing Files for Someone Else