[macProVideo] Native Instruments 102 Complete NI KOMPLETE [2008 Π³. ENG] - Π²ΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊΠΈ Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌΒ
[macProVideo] Native Instruments 102: Complete NI KOMPLETE [2008 Π³. ENG]
ΠΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: MacProVideo - Π½Π°ΠΆΠ°Π² ΠΊΠ½ΠΎΠΏΠΊΡ OUTLINE ΠΌΠΎΠΆΠ½ΠΎ ΠΏΠΎΡΠΌΠΎΡΡΠ΅ΡΡ ΠΏΡΠ΅Π²ΡΡ Π²ΠΈΠ΄Π΅ΠΎ
ΠΠΎΠ΄ Π²ΡΠΏΡΡΠΊΠ°: 2008
Π―Π·ΡΠΊ: Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ
Country: USA
Genre: Tutorial
Duration: 180 minutes
Quality: DVD Rip
Format: MOV
Π Π°Π·ΠΌΠ΅Ρ: 2.13 GB
ΠΠΎΠ΄ΡΠΎΠ±Π½ΡΠΉ ΠΎΠ±Π·ΠΎΡ 11 ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½ΡΠΎΠ², ΡΠΎΡΡΠ°Π²Π»ΡΡΡΠΈΡ Native Instrumentsβ KOMPLETE 5 suite, Π² ΡΠΎΠΌ ΡΠΈΡΠ»Π΅ KONTAKT, REAKTOR, GUITAR RIG, and MASSIVE.
Π Π²ΠΈΠ΄Π΅ΠΎΠΊΡΡΡΠ΅ "Native Instruments 102: Complete NI KOMPLETE" Π²Ρ Π±ΡΠ΄Π΅ΡΠ΅ Π²Π½ΠΈΠΌΠ°ΡΠ΅Π»ΡΠ½ΠΎ ΡΠΌΠΎΡΡΠ΅ΡΡ Π½Π° 11 ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½ΡΠΎΠ², ΡΠΎΡΡΠ°Π²Π»ΡΡΡΠΈΡ Native Instrumentsβ KOMPLETE 5 suite. ΠΠ»Ρ ΠΊΠ°ΠΆΠ΄ΠΎΠ³ΠΎ ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½ΡΠ° Π²Ρ Π±ΡΠ΄Π΅ΡΠ΅ ΠΎΠ·Π½Π°ΠΊΠΎΠΌΠ»Π΅Π½Ρ Ρ Π΅Π³ΠΎ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»ΡΡΠΊΠΈΠΌ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡΠΎΠΌ, Π² ΡΠΎΠΌ ΡΠΈΡΠ»Π΅, ΠΊΠ°ΠΊ Π²ΡΠ±ΠΈΡΠ°ΡΡ ΠΈ ΠΈΠ·ΠΌΠ΅Π½ΡΡΡ Π·Π²ΡΠΊΠΈ. ΠΠ»Ρ Π±ΠΎΠ»Π΅Π΅ ΡΠ»ΠΎΠΆΠ½ΡΡ ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½ΡΠΎΠ² Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ ΡΡΠΎΠΊΠΎΠ² ΠΏΠΎΡΠ²ΡΡΠ΅Π½Ρ ΠΈΠ·ΡΡΠ΅Π½ΠΈΡ Π±ΠΎΠ»Π΅Π΅ ΡΠ»ΠΎΠΆΠ½ΡΡ ΡΡΠ½ΠΊΡΠΈΠΉ, ΠΊΠΎΡΠΎΡΡΠ΅ ΠΏΠΎΠ·Π²ΠΎΠ»ΡΡΡ ΡΠ΅Π°Π»ΡΠ½ΠΎ Π½Π°ΡΡΡΠΎΠΈΡΡ ΡΠ²ΠΎΠΈ Π·Π²ΡΠΊΠΈ.
ΠΡ Π±ΡΠ΄Π΅ΡΠ΅ ΠΎΠ·Π½Π°ΠΊΠΎΠΌΠ»Π΅Π½Ρ Ρ 2-ΠΌΡ KOMPLETE ΠΏΠΈΠ°Π½ΠΎ ΠΌΠΎΠ΄ΡΠ»ΡΠΌΠΈ - AKOUSTIC PIANO (ΠΊΠ°ΠΊΠΈΠ΅ ΠΌΠΎΠ΄Π΅Π»ΠΈ, Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΈΡ ΡΠΈΠΏΠΎΠ² Π°ΠΊΡΡΡΠΈΡΠ΅ΡΠΊΠΈΡ ΡΠΎΡΡΠ΅ΠΏΠΈΠ°Π½ΠΎ) ΠΈ ELEKTRIK PIANO (ΠΊΠ°ΠΊΠΈΠ΅ ΠΌΠΎΠ΄Π΅Π»ΠΈ, Π½Π΅ΡΠΊΠΎΠ»ΡΠΊΠΎ Π²ΠΈΠ΄ΠΎΠ² ΡΠ»Π΅ΠΊΡΡΠΈΡΠ΅ΡΠΊΠΎΠ³ΠΎ ΠΏΠΈΠ°Π½ΠΈΠ½ΠΎ). Π‘Π»Π΅Π΄ΡΡΡΠΈΠΉ ΡΠ°Π³ - ABSYNTH, ΠΎΡΠ»ΠΈΡΠ½ΡΠΉ ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½Ρ Π΄Π»Ρ Π·Π²ΡΠΊΠΎΠ²ΠΎΠ³ΠΎ Π΄ΠΈΠ·Π°ΠΉΠ½Π°, Π° Π·Π°ΡΠ΅ΠΌ B4 II, ΡΠΌΡΠ»ΡΡΠΈΡ B3 ΠΎΡΠ³Π°Π½, ΠΈ PRO-53, ΡΠΌΡΠ»ΡΡΠΈΡ Prophet-5.
ΠΡΠΎΡ ΡΡΠ΅Π±Π½ΠΈΠΊ-Π²ΠΈΠ΄Π΅ΠΎ ΡΠ°ΠΊΠΆΠ΅ Π²Π»ΡΡΠ°Π΅Ρ Π² ΡΠ΅Π±Ρ ΠΎΠ±Π·ΠΎΡΡ ΡΠΎΡΡΠΎΠ²ΡΡ ΡΠΈΠ½ΡΠ΅Π·Π°ΡΠΎΡΠΎΠ² MASSIVE ΠΈ FM8, BATTERY (Π±Π°ΡΠ°Π±Π°Π½Π½ΡΠΉ ΠΈ ΠΏΠ΅ΡΠΊΡΡΡΠΈΠΉΠ½ΡΠΉ ΡΡΠΌΠΏΠ»Π΅Ρ), KONTAKT (ΡΠΎΡΡΠΎΠ²ΡΠΉ ΡΡΠΌΠΏΠ»Π΅Ρ), REAKTOR (Π·Π²ΡΠΊΠΎΠ²ΠΎΠΉ ΠΊΠΎΠ½ΡΡΡΡΠΊΡΠΎΡ), Π° ΡΠ°ΠΊΠΆΠ΅ GUITAR RIG (Π²ΠΈΡΡΡΠ°Π»ΡΠ½ΡΠΉ Π³ΠΈΡΠ°ΡΠ½ΡΠΉ rack).
ΠΠ°ΠΆΠ΄ΡΠΉ ΡΠ°Π·Π΄Π΅Π» ΡΡΠΎΠ³ΠΎ ΠΊΡΡΡΠ° KOMPLETE Π·Π°Π²Π΅ΡΡΠ°Π΅ΡΡΡ ΡΠΏΡΠ°ΠΆΠ½Π΅Π½ΠΈΠ΅ΠΌ, ΠΊΠΎΡΠΎΡΠΎΠ΅ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΠ΅Ρ ΡΠΏΠ΅ΡΠΈΠ°Π»ΡΠ½ΡΠΉ ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½Ρ KOMPLETE Π² ΡΠΎΡΠ΅ΡΠ°Π½ΠΈΠΈ Ρ ΡΡΠΏΠ΅Ρ-ΡΠΈΠ½ΡΠ΅Π·Π°ΡΠΎΡΠΎΠΌ Native Instruments KORE.
Π£ΠΏΡΠ°ΠΆΠ½Π΅Π½ΠΈΡ, Π½Π°ΠΏΡΠ°Π²Π»Π΅Π½Π½ΡΠ΅ Π½Π° ΠΏΠ΅ΡΠ΅ΡΠΌΠΎΡΡ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π° Π² ΠΏΠ°ΡΠ°Π»Π»Π΅Π»ΡΠ½ΠΎΠΌ ΡΠ°Π·Π΄Π΅Π»Π΅ Native Instruments 101:Core NI KORE course
Section 01 - Getting Started with KOMPLETE
01. Introduction to the Course
02. Introduction to KOMPLETE
03. Introduction to KORE
04. Installation
05. Audio and MIDI Setup
Section 02 - Elektrik Piano
06. Introduction to ELEKTRIK PIANO
07. EXERCISE - Creating a ClaviRhodes with ELEKTRIK PIANO
Section 03 - Akoustik Piano
08. Introduction to AKOUSTIK PIANO
09. EXERCISE - Creating a Honky Tonk Piano with AKOUSTIK PIANO
Section 04 - Absynth
10. Introduction to ABSYNTH
11. Creating Sounds In ABSYNTH
12. Creating Custom Waveforms
13. Morphing Waves
14. EXERCISE - Creating a Custom Effect With ABSYNTH (Part 1)
15. EXERCISE - Creating a Custom Effect With ABSYNTH (Part 2)
Section 05 - B4 II
16. Introduction to B4 II
17. EXERCISE - Defining a Morphing Organ Using B4 II
Section 06 - Pro-53
18. Introduction to PRO-53
19. Creating Sounds In PRO-53
20. EXERCISE - Creating a Custom Effect With PRO-53
Section 07 - Massive
21. Introduction to MASSIVE
22. Creating Sounds In Massive
23. Working With Oscillators
24. Modulating With LFOs
25. Modulating With Steppers
26. Modulating With Performers
27. Filters and Macros
28. Envelopes and Effects
29. EXERCISE - Creating a MASSIVE KoreSound (Part 1)
30. EXERCISE - Creating a MASSIVE KoreSound (Part 2)
31. EXERCISE - Creating a MASSIVE KoreSound (Part 3)
Section 08 - Battery
32. Introduction to BATTERY
33. Using the Browser
34. Editing Cells
35. Working With Samples
36. Working With Loops
37. Voice Groups
38. More About the Setup Tab
39. Modulators and Effects
40. EXERCISE - Creating a Looping Machine (Part 1)
41. EXERCISE - Creating a Looping Machine (Part 2)
Section 09 - FM8
42. Introduction to FM8
43. Easy Edit
44. Effects
45. Morphing
46. The Arpeggiator (Part 1)
47. The Arpeggiator (Part 2)
48. Introduction to FM Synthesis
49. Operators
50. Envelopes
51. More About Expert Mode
52. EXERCISE - Fun With FM8 (Part 1)
53. EXERCISE - Fun With FM8 (Part 2)
Section 10 - Reaktor
54. Introduction to REAKTOR
55. Ensembles
56. Snapshots
57. Panelsets
58. The Map Editor
59. The Properties
60. REAKTOR Synthesizers
61. REAKTOR Grooveboxes and Sound Generators
62. REAKTOR Sample Players and Transformers
63. REAKTOR Effects
64. Creating a Custom Ensemble
65. Building a Simple Synthesizer (Part 1)
66. Building a Simple Synthesizer (Part 2)
67. EXERCISE - Working With Spiral (Part 1)
68. EXERCISE - Working With Spiral (Part 2)
Section 11 - Guitar Rig
69. Introduction to GUITAR RIG
70. Setting Up GUITAR RIG
71. The User Interface
72. Amplifiers and Cabinets
73. Effects
74. Splitters
75. Loop Machine
76. Modifiers
77. Tapedecks
78. MIDI Control
79. EXERCISE - Building an Effects Rack with KORE and GUITAR RIG (Part 1)
80. EXERCISE - Building an Effects Rack with KORE and GUITAR RIG (Part 2)
Section 12 - Kontakt
81. Introduction to KONTAKT
82. Working With Instruments (Part 1)
83. Working With Instruments (Part 2)
84. The Browser and Master Header
85. Urban Beats Collection
86. Orchestral, Band, and World Collections
87. Synth and Vintage Collections
88. The Mapping Editor
89. Auto-Mapping
90. The Group Editor
91. The Wave Editor
92. Signal Flow
93. The Script Processor
94. EXERCISE - Using KONTAKT as a Multi-Timbral Plug-In
95. EXERCISE - Using KONTAKT as a Multi-Output Plug-In
96. EXERCISE - Controlling the KONTAKT Plug-In
97. EXERCISE - Using KONTAKT as a MIDI Effect
Section 13 - Wrap-Up
98. Thanks For Watching