[Dance Music Production] Session 04 Compressors [2013, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊΠΈ Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌΒ
![Π‘ΠΊΠ°ΡΠ°ΡΡ [Dance Music Production] Session 04 Compressors [2013, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊΠΈ Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌΒ](http://vsthouse.ru/_ld/51/91364659.jpg)
[Dance Music Production] Session 04: Compressors [2013, ENG]
ΠΠΎΠ΄ Π²ΡΠΏΡΡΠΊΠ°: 2013
ΠΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: Dance Music Production
Π‘Π°ΠΉΡ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: www.dancemusicproduction.com/shop/index.php?_a=viewProd&productId=50
ΠΠ²ΡΠΎΡ: Dance Music Production
ΠΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ: 03:37:41
Π’ΠΈΠΏ ΡΠ°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°: ΠΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊ
Π€Π°ΠΉΠ»Ρ ΠΏΡΠΈΠΌΠ΅ΡΠΎΠ²: ΠΎΡΡΡΡΡΡΠ²ΡΡΡ
Π€ΠΎΡΠΌΠ°Ρ Π²ΠΈΠ΄Π΅ΠΎ: MOV
ΠΠΈΠ΄Π΅ΠΎ: AVC, 1280x720, 16:9, ~12.731 fps, 359 Kbps
ΠΡΠ΄ΠΈΠΎ: AAC, 44.1 KHz, 116 Kbps, 2 channels
Π―Π·ΡΠΊ: ΠΠ½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ
Π Π°Π·ΠΌΠ΅Ρ:Β 1.02 GBΒ Β
Π Π΄Π°Π½Π½ΠΎΠΌ ΠΊΡΡΡΠ΅ ΠΌΡ ΠΏΠΎΠ΄Π½ΠΈΠΌΠΈΡΠ΅ Π·Π°Π²Π΅ΡΡ Π½Π°Π΄ ΡΠ΅ΠΌ, ΡΡΠΎ ΡΠ°ΡΡΠΎ ΡΡΠΈΡΠ°Π΅ΡΡΡ ΠΎΠ΄Π½ΠΈΠΌ ΠΈΠ· Π½Π°ΠΈΠ±ΠΎΠ»Π΅Π΅ ΡΠ»ΠΎΠΆΠ½ΡΡ ΡΡΡΠ΄ΠΈΠΉΠ½ΡΡ ΠΏΡΠΎΡΠ΅ΡΡΠΎΠ². ΠΡ Π½Π΅ ΡΠΎΠ»ΡΠΊΠΎ ΠΈΡΡΠ»Π΅Π΄ΡΠ΅ΠΌ ΡΠΏΡΠ°Π²Π»Π΅Π½ΠΈΠ΅ ΠΊΠΎΠΌΠΏΡΠ΅ΡΡΠΎΡΠΎΠΌ ΠΈ ΠΊΠ°ΠΊ ΠΎΠ½ΠΎ Π²Π»ΠΈΡΠ΅Ρ Π½Π° Π·Π²ΡΠΊ, Π½ΠΎ ΡΠ°ΠΊΠΆΠ΅ ΠΈΠ·ΡΡΠΈΠΌ ΡΠ°Π·Π»ΠΈΡΠ½ΡΠ΅ ΡΠΈΠΏΡ ΠΊΠΎΠΌΠΏΡΠ΅ΡΡΠΈΠΈ, ΠΎΡ Opto Π΄ΠΎ VCA, FET ΠΈ MU, ΠΈ ΠΎΠ±ΡΡΠ΄ΠΈΠΌ Π·Π²ΡΠΊΠΎΠ²ΡΠ΅ ΡΠ°Π·Π»ΠΈΡΠΈΡ ΠΌΠ΅ΠΆΠ΄Ρ Π½ΠΈΠΌΠΈ, ΡΡΠΎΠ±Ρ ΠΏΠΎΠΌΠΎΡΡ Π²Π°ΠΌ ΡΠ΅ΡΠΈΡΡ, ΠΊΠ°ΠΊΠΎΠΉ ΡΠΈΠΏ ΠΊΠΎΠΌΠΏΡΠ΅ΡΡΠΎΡΠ° Π±ΡΠ΄Π΅Ρ Π»ΡΡΡΠΈΠΌ Π΄Π»Ρ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΡ Π² Π²Π°ΡΠΈΡ ΠΏΡΠΎΠ΅ΠΊΡΠ°Ρ .
Π‘ΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠ΅
Introduction
Session 01: Compressors and Levelling Amplifiers: 20 minutes
In this first session, we introduce the principle of musical dynamics and why compressors were introduced into recording studios
Session 02: Compression Theory: 38 minutes
Here we examine the theory of compression including a look at logarithmic scales, decibels, threshold, ratio's, attack, release, make-up gain and how knee's operate on a compressor.
Session 03: Acoustic Science: 25 Minutes
For this session we take a look at some basic acoustic science and discover how our hearing reacts to different stimuli alongside examining the principles of Phons and Sons
Session 04: Practical Compression: 40 minutes
We now put all the theory we've discussed into practice and look at how we set up and use a compressor to prevent peaks and also level audio.
Session 05: Different Compressors: 70 Minutes
Any discussion about compression leads to the subject of harmonic distortion and different compression artefacts. Here we discuss the differences between Opto, FET, VCA and Vari MU compressors alongside listening to some examples of these compressors in action.
Session 06: Compression Techniques: 22 Minutes
We take a quick look at some advanced compression techniques consisting of parallel compression, serial compression, EQ/Sibilance control and the now ubiquitous production method of pumping a mix .
Final Words