[Dance Music Production] Session 01 Reverb [2013, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊΠΈ Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌΒ
[Dance Music Production] Session 01: Reverb [2013, ENG]
ΠΠΎΠ΄ Π²ΡΠΏΡΡΠΊΠ°: 2013
ΠΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: Dance Music Production
Π‘Π°ΠΉΡ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: www.dancemusicproduction.com/session-01-reverb/
ΠΠ²ΡΠΎΡ: Dance Music Production
ΠΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ: 03:32:58
Π’ΠΈΠΏ ΡΠ°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°: ΠΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊ
Π€Π°ΠΉΠ»Ρ ΠΏΡΠΈΠΌΠ΅ΡΠΎΠ²: ΠΎΡΡΡΡΡΡΠ²ΡΡΡ
Π€ΠΎΡΠΌΠ°Ρ Π²ΠΈΠ΄Π΅ΠΎ: MOV
ΠΠΈΠ΄Π΅ΠΎ: AVC, 1280x720, 16:9, ~31.579 fps, 84.1 Kbps
ΠΡΠ΄ΠΈΠΎ: AAC, 44.1 KHz, 128 Kbps, 2 channels
Π―Π·ΡΠΊ: ΠΠ½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ
Π Π°Π·ΠΌΠ΅Ρ:Β 1.05 GB
Sessions - ΡΡΠΎ Π½ΠΎΠ²Π°Ρ Π»ΠΈΠ½Π΅ΠΉΠΊΠ° ΡΡΠ΅Π±Π½ΠΈΠΊΠΎΠ², Π½Π°ΠΏΡΠ°Π²Π»Π΅Π½Π½ΡΡ Π² ΠΏΠΎΠΌΠΎΡΡ ΠΏΡΠΎΠ΄ΡΡΡΠ΅ΡΠ°ΠΌ, ΡΡΠΎΠ±Ρ ΠΎΠ½ΠΈ ΠΌΠΎΠ³Π»ΠΈ Π² ΠΏΠΎΠ»Π½ΠΎΠΉ ΠΌΠ΅ΡΠ΅ ΠΏΠΎΡΡΠΈΡΡ Π½Π΅ΠΊΠΎΡΠΎΡΡΠ΅ ΠΈΠ· Π½Π°ΠΈΠ±ΠΎΠ»Π΅Π΅ Π²Π°ΠΆΠ½ΡΡ ΠΈ ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΡΡ ΠΏΡΠΎΡΠ΅ΡΡΠΎΡΠΎΠ², ΡΡΡΠ΅ΠΊΡΠΎΠ² ΠΈ ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½ΡΠΎΠ², ΠΈ, ΡΡΠΎ Π±ΠΎΠ»Π΅Π΅ Π²Π°ΠΆΠ½ΠΎ, ΠΏΠΎΠ½ΡΡΡ ΠΊΠ°ΠΊ ΡΠΎ Π·Π½Π°Π½ΠΈΠ΅ΠΌ Π΄Π΅Π»Π° ΠΈΡ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΡ, Π² Ρ ΠΎΠ΄Π΅ Π»ΡΠ±ΠΎΠΉ ΠΏΡΠΎΠ΄ΡΡΠ΅ΡΡΠΊΠΎΠΉ ΡΠ°Π±ΠΎΡΡ.
Π ΠΏΠ΅ΡΠ²ΠΎΠΌ ΠΊΡΡΡΠ΅ Sessions, ΠΌΡ ΠΏΠΎΠ΄Π½ΠΈΠΌΠ΅ΠΌ Π·Π°Π²Π΅ΡΡ Π½Π°Π΄ ΡΠ΅Π²Π΅ΡΠ±Π΅ΡΠ°ΡΠΈΠ΅ΠΉ ΠΈ ΡΠ°ΡΡΠΌΠΎΡΡΠΈΠΌ Π΅Π΅ Π² Π΄Π΅ΡΠ°Π»ΡΡ . ΠΡ ΠΎΠ±ΡΡΠ΄ΠΈΠΌ ΡΡΠΎ ΡΠ°ΠΊΠΎΠ΅ ΡΠ΅Π²Π΅ΡΠ±Π΅ΡΠ°ΡΠΈΡ, ΠΊΠ°ΠΊ ΠΎΠ½Π° ΡΠ°Π±ΠΎΡΠ°Π΅Ρ, ΠΏΡΠΈΠ½ΡΠΈΠΏΡ RT60, Sabins, ΡΠ°Π½Π½ΠΈΠ΅ ΠΎΡΡΠ°ΠΆΠ΅Π½ΠΈΡ, ΠΏΠΎΠ·Π΄Π½ΠΈΠ΅ ΠΎΡΡΠ°ΠΆΠ΅Π½ΠΈΡ, ΡΠ΅Π²Π΅ΡΠ±Π΅ΡΠ°ΡΠΈΠΎΠ½Π½ΠΎΠ΅ ΠΏΠΎΠ»Π΅, Π°ΡΠΌΠΎΡΡΠ΅ΡΡ, ΠΏΠ»Π°ΡΡΠΈΠ½Ρ ΠΈ ΡΠ΅ΠΌΠ±Π΅ΡΡ.
Π‘ΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠ΅
Introduction
An introduction to the DVD
Session 01: Science of Reverb: 25 minutes.
In this first session, we give you an introduction to the science behind reverberation, discussing the movement of waveforms and the principle behind sonic reflections.
Session 02: Artificial Areas: 35 minutes.
Here, we examine how to relate the science discussed in the previous session to a typical studio quality reverb unit. We consider the reverberation characteristics of an area β and then create an emulation of it in our reverb unit.
Session 03: Different Approaches: 40 Minutes
Here, we look at the different types of reverb emulation that have been developed over the years and how they sound, including Plate, Spring, Chamber, Room and Hall
Session 04: Reverb and Mixing 1: 25minutes
How we can use reverb in a mix to create an ambience and help the instruments all gel together
Session 05: Reverb and Mixing 2: 40 Minutes
A further look at how we can use reverb in a mix to create an ambience and help the instruments all gel together.
Session 06: Creative Reverb: 35 Minutes
An examination of some of the creative techniques and uses behind reverb.
Session 07: Programming Convolvers: 20 Minutes
In this final session, we examine convolver reverb units and how to create your own Impulse Responses using them, plus how to use them creatively to create effects now appearing in Techno, Tech House and Minimal.