Audio Damage - AD051 Continua 1.0.17 VSTi, VSTi3, AAX, AUi WIN.OSX.LINUX x64 - Π°Π½Π°Π»ΠΎΠ³ΠΎΠ²ΡΠΉ ΡΠΈΠ½ΡΠ΅Π·Π°ΡΠΎΡΒ
Audio Damage - AD051 Continua 1.0.17 VSTi, VSTi3, AAX, AUi WIN.OSX.LINUX x64
ΠΠ°ΡΠ° ΠΡΠΏΡΡΠΊΠ°: 03.2020
ΠΠ΅ΡΡΠΈΡ: 1.0.17
Π Π°Π·ΡΠ°Π±ΠΎΡΡΠΈΠΊ: Audio Damage
Π‘Π°ΠΉΡ ΡΠ°Π·ΡΠ°Π±ΠΎΡΡΠΈΠΊΠ°: audiodamage.com/collections/plugin-instruments/products/ad051-continua
Π€ΠΎΡΠΌΠ°Ρ: VSTi, VSTi3, AAX, AUi
Π Π°Π·ΡΡΠ΄Π½ΠΎΡΡΡ: 64bit
Π’Π°Π±Π»ΡΡΠΊΠ°: Π½Π΅ ΡΡΠ΅Π±ΡΠ΅ΡΡΡ
Π‘ΠΈΡΡΠ΅ΠΌΠ½ΡΠ΅ ΡΡΠ΅Π±ΠΎΠ²Π°Π½ΠΈΡ: macOS 10.11 | Windows 8.1 x64
Π Π°Π·ΠΌΠ΅Ρ: 51.2 MB
Continua - ΡΡΠΎ Π²ΠΈΡΡΡΠ°Π»ΡΠ½ΡΠΉ Π°Π½Π°Π»ΠΎΠ³ΠΎΠ²ΡΠΉ ΡΠΈΠ½ΡΠ΅Π·Π°ΡΠΎΡ Ρ ΠΈΠ·ΡΠΌΠΈΠ½ΠΊΠΎΠΉ: Π½Π΅ΠΏΡΠ΅ΡΡΠ²Π½ΠΎ ΠΈΠ·ΠΌΠ΅Π½ΡΠ΅ΠΌΠ°Ρ ΡΡΠΎΠΉΠΊΠ° ΠΎΡΡΠΈΠ»Π»ΡΡΠΎΡΠΎΠ². ΠΠ»Π°Π³ΠΎΠ΄Π°ΡΡ ΡΡΠ΅ΠΌ Π²Π·Π°ΠΈΠΌΠΎΡΠ²ΡΠ·Π°Π½Π½ΡΠΌ ΡΠ»Π΅ΠΌΠ΅Π½ΡΠ°ΠΌ ΡΠΏΡΠ°Π²Π»Π΅Π½ΠΈΡ, ΠΎΠΏΡΠ΅Π΄Π΅Π»ΡΡΡΠΈΠΌ ΡΠΎΡΠΌΡ Π²ΠΎΠ»Π½Ρ, Continua ΠΎΠ±Π΅ΡΠΏΠ΅ΡΠΈΠ²Π°Π΅Ρ ΠΏΡΠ°ΠΊΡΠΈΡΠ΅ΡΠΊΠΈ Π½Π΅ΠΎΠ³ΡΠ°Π½ΠΈΡΠ΅Π½Π½ΡΠΉ Π·Π°ΠΏΠ°Ρ ΡΠΈΠ³Π½Π°Π»ΠΎΠ², ΠΎΡΠΎΠ±Π΅Π½Π½ΠΎ ΠΊΠΎΠ³Π΄Π° Π²Ρ Π΄ΠΎΠ±Π°Π²Π»ΡΠ΅ΡΠ΅ ΠΊΡΠΎΡΡ-ΠΌΠΎΠ΄ΡΠ»ΡΡΠΈΡ ΠΈ ΡΡΠΌ Π² ΠΌΠΈΠΊΡ.
Π‘ Π΄Π²ΡΠΌΡ ΠΈΠ·ΠΌΠ΅Π½ΡΡΡΠΈΠΌΠΈΡΡ ΡΠΈΠ»ΡΡΡΠ°ΠΌΠΈ (ΠΈΠ·ΠΌΠ΅Π½ΡΡΡΠΈΠΌΠΈΡΡ ΠΌΠ΅ΠΆΠ΄Ρ LP, HP, BP ΠΈ ΡΡΠ΅Π·ΠΎΠΌ Π² 2-ΠΏΠΎΠ»ΡΡΠ½ΠΎΠΉ ΠΈ 4-ΠΏΠΎΠ»ΡΡΠ½ΠΎΠΉ ΡΠΎΠΏΠΎΠ»ΠΎΠ³ΠΈΡΡ ), Continua ΠΈΠΌΠ΅Π΅Ρ ΡΠΈΡΠΎΠΊΡΡ ΠΏΠ°Π»ΠΈΡΡΡ ΡΠΎΡΠΌΠΈΡΠΎΠ²Π°Π½ΠΈΡ ΡΠΎΠ½Π° ΠΈ Ρ ΠΎΡΠΎΡΠΎ ΠΏΠΎΠ΄Ρ ΠΎΠ΄ΠΈΡ Π΄Π»Ρ Π΄Π»ΠΈΠ½Π½ΡΡ ΠΈ ΡΠ»ΠΎΠΆΠ½ΡΡ ΡΠ°Π·Π²ΠΈΠ²Π°ΡΡΠΈΡ ΡΡ ΡΠ°ΡΠ½Π΄ΡΠΊΠ΅ΠΉΠΏΠΎΠ².
Continua, ΠΎΠ±Π»Π°Π΄Π°ΡΡΠΈΠΉ ΡΠ΅Π»ΡΠΌ ΡΡΠ΄ΠΎΠΌ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΠ΅ΠΉ ΠΌΠΎΠ΄ΡΠ»ΡΡΠΈΠΈ, ΡΠΏΠΎΡΠΎΠ±Π΅Π½ Π²ΠΎΡΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΡ ΠΊΠ°ΠΊ ΠΏΡΠΎΡΡΡΠ΅ ΡΠΈΠ½ΡΠ΅ΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ Π·Π²ΡΠΊΠΈ, ΡΠ°ΠΊ ΠΈ ΠΎΠ³ΡΠΎΠΌΠ½ΡΠ΅ ΡΠ°Π·Π²ΠΈΠ²Π°ΡΡΠΈΠ΅ΡΡ Π·Π²ΡΠΊΠΎΠ²ΡΠ΅ Π»Π°Π½Π΄ΡΠ°ΡΡΡ. Π‘ Π΄Π²ΡΠΌΡ ADSR ΠΈ Π΄Π²ΡΠΌΡ Π³Π΅Π½Π΅ΡΠ°ΡΠΎΡΠ°ΠΌΠΈ Ρ Π³ΠΈΠ±ΠΊΠΈΠΌΠΈ ΠΎΠ³ΠΈΠ±Π°ΡΡΠΈΠΌΠΈ (ΠΏΠΎ ΡΡΡΠΈ, ΡΠ΅ΠΊΠ²Π΅Π½ΡΠΎΡΠΎΠΌ ΠΎΠ³ΠΈΠ±Π°ΡΡΠΈΡ ), Π° ΡΠ°ΠΊΠΆΠ΅ ΡΠ΅ΡΡΡΡΠΌΡ Π½Π°ΡΠΈΠΌΠΈ Π³ΠΈΠ±ΠΊΠΈΠΌΠΈ (Π½Π΅ΠΏΡΠ΅ΡΡΠ²Π½ΡΠΌΠΈ Π²ΠΎΠ»Π½ΠΎΠΎΠ±ΡΠ°Π·Π½ΡΠΌΠΈ) LFO ΠΈ ΡΠ»ΠΎΠΆΠ½ΠΎΠΉ ΡΡΠ½ΠΊΡΠΈΠ΅ΠΉ ΡΡΠΌΠΏΠ»ΠΈΡΠΎΠ²Π°Π½ΠΈΡ, Π²Ρ ΠΌΠΎΠΆΠ΅ΡΠ΅ ΠΌΠΎΠ΄ΡΠ»ΠΈΡΠΎΠ²Π°ΡΡ Π»ΡΠ±ΡΡ ΡΡΡΠΊΡ Π½Π° ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡΠ΅ ΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΠ΅Π»Ρ ΠΏΡΠΎΡΡΡΠΌ ΡΠ΅Π»ΡΠΊΠΎΠΌ ΠΏΡΠ°Π²ΠΎΠΉ ΠΊΠ½ΠΎΠΏΠΊΠΈ ΠΌΡΡΠΈ
Continua ΠΏΠΎΠ»Π½ΠΎΡΡΡΡ Π½Π°ΡΡΡΠ°ΠΈΠ²Π°Π΅ΡΡΡ Π½Π° Π²Π°Ρ Π²ΠΊΡΡ ΠΈ ΡΡΠΈΠ»Ρ ΠΈΠ³ΡΡ. ΠΠ»Π°Π³ΠΎΠ΄Π°ΡΡ ΠΏΠΎΠ»Π½ΠΎΠΉ ΠΈ ΡΠ°ΡΡΠΈΡΠ΅Π½Π½ΠΎΠΉ ΠΏΠΎΠ΄Π΄Π΅ΡΠΆΠΊΠ΅ MPE, ΠΎΠ½ ΠΌΠΎΠΆΠ΅Ρ Π²ΠΎΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΡΡΡ ΡΠ°ΡΡΠΈΡΠ΅Π½Π½ΡΠΌ Π½Π°Π±ΠΎΡΠΎΠΌ ΡΠΏΡΠ°Π²Π»Π΅Π½ΠΈΡ Π²Π°ΡΠ΅Π³ΠΎ ΠΊΠΎΠ½ΡΡΠΎΠ»Π»Π΅ΡΠ° Linnstrument, Seaboard, Soundplane, Continuum ΠΈΠ»ΠΈ Π΄ΡΡΠ³ΠΎΠ³ΠΎ MPE, Π° ΠΏΠΎΠ΄Π΄Π΅ΡΠΆΠΊΠ° ΡΠ°ΠΉΠ»ΠΎΠ² TUN ΠΏΠΎΠ·Π²ΠΎΠ»ΡΠ΅Ρ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΡ ΡΠ°Π±Π»ΠΈΡΡ Π½Π°ΡΡΡΠΎΠΉΠΊΠΈ. ΠΠ·ΠΌΠ΅Π½ΡΠ΅ΠΌΡΠΉ ΡΠ°Π·ΠΌΠ΅Ρ Hi-DPI GUI ΠΏΠΎΠ·Π²ΠΎΠ»ΡΠ΅Ρ Π²Π°ΠΌ Π½Π°ΡΡΡΠΎΠΈΡΡ ΡΠ°Π·ΠΌΠ΅Ρ Π² ΡΠΎΠΎΡΠ²Π΅ΡΡΡΠ²ΠΈΠΈ Ρ Π²Π°ΡΠΈΠΌΠΈ Π²ΠΈΠ·ΡΠ°Π»ΡΠ½ΡΠΌΠΈ ΠΏΠΎΡΡΠ΅Π±Π½ΠΎΡΡΡΠΌΠΈ, Π° ΠΊΡΠΎΡΡ-ΠΏΠ»Π°ΡΡΠΎΡΠΌΠ΅Π½Π½ΡΠΉ ΠΌΠ΅Ρ Π°Π½ΠΈΠ·ΠΌ ΠΏΡΠ΅ΡΠ΅ΡΠΎΠ² ΠΏΠΎΠ·Π²ΠΎΠ»ΡΠ΅Ρ Π²Π°ΠΌ Π΄Π΅Π»ΠΈΡΡΡΡ ΡΠ²ΠΎΠΈΠΌΠΈ ΡΠ²ΠΎΡΠ΅Π½ΠΈΡΠΌΠΈ Ρ Π΄ΡΡΠ·ΡΡΠΌΠΈ ΠΈ ΠΊΠΎΠ»Π»Π΅Π³Π°ΠΌΠΈ, Π½Π΅Π·Π°Π²ΠΈΡΠΈΠΌΠΎ ΠΎΡ ΡΠΎΠ³ΠΎ, ΠΊΠ°ΠΊΡΡ ΡΠΈΡΡΠ΅ΠΌΡ ΠΎΠ½ΠΈ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΡΡ. Π‘ΠΎΡ ΡΠ°Π½ΠΈΡΠ΅ ΠΏΡΠ΅Π΄ΠΏΠΎΡΡΠΈΡΠ΅Π»ΡΠ½ΡΠ΅ Π½Π°ΡΡΡΠΎΠΉΠΊΠΈ Π² ΠΊΠ°ΡΠ΅ΡΡΠ²Π΅ ΡΠΎΡΡΠΎΡΠ½ΠΈΡ ΠΏΠΎ ΡΠΌΠΎΠ»ΡΠ°Π½ΠΈΡ, ΠΈ Coninua Π²ΡΠ΅Π³Π΄Π° Π±ΡΠ΄Π΅Ρ ΠΈΠΌΠ΅Π½Π½ΠΎ ΡΠ°ΠΊΠΈΠΌ, ΠΊΠ°ΠΊΠΈΠΌ Π²Π°ΠΌ Π½ΡΠΆΠ½ΠΎ.
Noise Source
Noise source features a "color" control that affects tonal characteristics of the noise.
ADSR x 2
Continua has two ADSR-style envelope generators, with curve on attack, decay, and release.
Flexible Envelope Generator (FEG) x 2
The two FEGs are arbitrary function generators, with up to 99 steps, curve and step level control, arbitrary loop points, and host tempo sync.
Flexible Low-Frequency Oscillator (FLFO) x 4
The four FLFOs utilize four controls (phase, shape, skew, and warp) to access a virtually limitless palette of waveforms, and feature host tempo sync and retrigger.
Sample And Hold
The S&H mod source can sample noise (random) or any of the other mod sources, at either a user-defined rate or a musical division, and includes built-in smoothing and distance limit (for a "walk" effect).
Modulation
Every knob in Continua is a mod destination, with a very fast and simple assignment matrix access with a right-click on the knob (double-tap on iOS).
Tuning Tables And Global Tuning Offset
Re-tune Continua to new intonations and temperaments using the open-source and easy-to-use TUN file format. A global tuning offset (default to A=440) allows you to easily retune the entire synth to match a different A frequency without using a tuning table.
MPE (MIDI Polyphonic Expression)
Continua understands both "legacy" MIDI and MPE. Use your Linnstrument, Roli Seaboard, Haken Continuum, Madrona Labs Soundplane, or Sensel Morph (among others) to directly access per-note pressure, pitch bend, and modulation.
Per-Instance Settings
Continua utilizes a per-instance customization method: set MPE mode, aftertouch smoothing, pitch bend range override, tuning table, and global tuning offset for each instance in your DAW, with an option to save any state as your global starting point.
Factory Presets
Continua comes with a substantial collection of factory content, including Designer Presets from Red Means Recording, Glitch Machines, and Sonalsystem.
Cross-Platform Preset Format
Continua utilizes an XML-based preset manager. Work between multiple systems without troubles, make a preset on your desktop machine and paste it to the iOS version with Handoff, easily share your creations with your friends, or make a preset bundle to sell.
Fully Resizable Hi-Dpi/Retina GUI
Continua's vector-based GUI is resolution-agnostic, and displays the same on every system and resolution. Easily resize the UI (per instance) to match your visual needs, from postage stamp to poster-sized.