[Point Blank] Art of Mixing Course (Week 1) [2013, ENG]Β
[Point Blank] Art of Mixing Course (Week 1) [2013, ENG]
ΠΠΎΠ΄ Π²ΡΠΏΡΡΠΊΠ°: 2013
ΠΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: Point Blank
Π‘Π°ΠΉΡ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: -www.online.pointblanklondon.com/art-of-mixing.php
ΠΠ²ΡΠΎΡ: Ian Sherwin
ΠΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ: 01:00:02
Π’ΠΈΠΏ ΡΠ°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°: ΠΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊ
Π―Π·ΡΠΊ: ΠΠ½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ
Π Π°Π·ΠΌΠ΅Ρ:Β 1.14 GB
ΠΡΡΡ "ΠΡΠΊΡΡΡΡΠ²ΠΎ ΠΠΈΠΊΡΠΈΡΠΎΠ²Π°Π½ΠΈΡ", ΡΠΏΠ°ΠΊΠΎΠ²Π°Π½Π½ΡΠΉ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠΌΠΈ ΠΈ ΡΠΎΠ²ΡΠ΅ΠΌΠ΅Π½Π½ΡΠΌΠΈ ΠΌΠ΅ΡΠΎΠ΄Π°ΠΌΠΈ ΠΌΠΈΠΊΡΠΈΡΠΎΠ²Π°Π½ΠΈΡ Π²ΠΎΠΎΡΡΠΆΠ°Π΅Ρ Π²Π°Ρ Π½Π°Π²ΡΠΊΠ°ΠΌΠΈ ΠΏΡΠΎΠ΄Π²ΠΈΠ½ΡΡΠΎΠ³ΠΎ ΠΌΠΈΠΊΡ-ΠΈΠ½ΠΆΠ΅Π½Π΅ΡΠ°. ΠΠ½ ΠΏΡΠ΅ΠΏΠΎΠ΄Π°Π΅ΡΡΡ Π² Logic, Π² ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ 8 Π½Π΅Π΄Π΅Π»Ρ ΠΈ ΡΠ²Π»ΡΠ΅ΡΡΡ ΡΠ°ΡΡΡΡ ΠΏΡΠΎΠ³ΡΠ°ΠΌΠΌΡ "Π‘Π²Π΅Π΄Π΅Π½ΠΈΠ΅ ΠΈ ΠΠ°ΡΡΠ΅ΡΠΈΠ½Π³". Π ΠΊΡΡΡΠ΅ Π΅ΡΡΡ ΠΎΡΠ΅Π½Ρ ΡΠΊΡΠΊΠ»ΡΠ·ΠΈΠ²Π½ΡΠ΅ Π²ΠΈΠ΄Π΅ΠΎ ΠΎΡ Π²Π΅Π΄ΡΡΠΈΡ ΡΠΏΠ΅ΡΠΈΠ°Π»ΠΈΡΡΠΎΠ² ΠΎΡΡΠ°ΡΠ»ΠΈ, ΠΊΠΎΡΠΎΡΡΠ΅ Π΄ΡΠ»ΡΡΡΡ ΡΠ²ΠΎΠΈΠΌΠΈ ΡΠ΅ΠΊΡΠ΅ΡΠ°ΠΌΠΈ, ΠΏΡΠΈΠ΅ΠΌΠ°ΠΌΠΈ ΠΈ ΠΌΠ΅ΡΠΎΠ΄Π°ΠΌΠΈ ΡΠ²Π΅Π΄Π΅Π½ΠΈΡ. ΠΠΎΠ΄ΡΠΎΠ±Π½ΠΎ ΠΎΠΏΠΈΡΠ°Π½Ρ Π±Π°Π»Π°Π½Ρ, ΠΏΠ°Π½ΠΎΡΠ°ΠΌΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅, ΡΠ»ΡΡ ΠΎΠ²ΠΎΠ΅ Π²ΠΎΡΠΏΡΠΈΡΡΠΈΠ΅, ΡΠΊΠ²Π°Π»ΠΈΠ·Π°ΡΠΈΡ, ΠΊΠΎΠΌΠΏΡΠ΅ΡΡΠΈΡ, Π»ΠΈΠΌΠΈΡΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅, Π³Π΅ΠΉΡΡ ΠΈ ΡΡΡΠ΅ΠΊΡΡ. ΠΡΠΎΠΌΠ΅ ΡΠΎΠ³ΠΎ, Π²Ρ Π½Π°ΡΡΠΈΡΠ΅ΡΡ ΡΠ»ΡΡΠ°ΡΡ ΠΌΡΠ·ΡΠΊΡ Ρ ΠΊΡΠΈΡΠΈΡΠ΅ΡΠΊΠΎΠΉ ΡΠΎΡΠΊΠΈ Π·ΡΠ΅Π½ΠΈΡ ΠΈ ΠΏΠΎΠ½ΠΈΠΌΠ°Π½ΠΈΡ Π½Π°ΡΠΊΠΈ Π·Π²ΡΠΊΠ°.
Packed with classic and cutting edge mix techniques, the Art of Mixing course equips you with the skills of an advanced mix engineer and features real multi-tracks (for demonstration purposes only) in a range of musical styles. It is taught on Logic, spans 8 weeks and is part of the Mixing and Mastering program. The course videos include some very special exclusives with top industry professionals sharing their own mixing tips, tricks and techniques. Balancing, panning, aural perception, EQ, compression, limiting, gates, and effects are covered in detail. You will also learn to listen to music from a critical perspective and understand the science behind the sound.
Week 1
Critical Listening
What is a Mix? Learning to listen
Environment: monitoring, acoustic treatment
Mix Technology: analogue and 'inside the box'
DAW Mixer: mix environment, signal routing
Automation: offline vs online, automation modes
Π‘ΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠ΅
01. CRITICAL LISTENING
02. INTRODUCTION TO LESSON
03. WHAT IS A MIX?
04. A SUBJECTIVE ART
05. CRITICAL LISTENING
06. LEARNING TO LISTEN (1) FREQUENCIES
07. LEARNING TO LISTEN (2) FREQUENCIES TEST
08. LEARNING TO LISTEN (3) DYNAMICS
09. LEARNING TO LISTEN (4) DYNAMICS TEST
10. LEARNING TO LISTEN (5) IMAGING
11. LEARNING TO LISTEN (6) SPATIAL AWARENESS
12. HEARING IS BELIEVING
13. MIX TECHNOLOGY
14. MIXING IN THE BOX (1)
15. MIXING IN THE BOX (2)
16. THE DAW MIXER 1 - OVERVIEW
17. THE DAW MIXER 2 - CHANNEL COMPONENTS
18. THE DAW MIXER 3 - AUX RETURNS & THE STEREO OUTPUT
19. UNDERSTANDING SIGNAL ROUTING
20. SIGNAL ROUTING TEST
21. AUTOMATED PROCESSES (1)
22. AUTOMATED PROCESSES (2)
23. AUTOMATED PROCESSES (3)
24. ABOUT THE BAND JUPITER ONE
25. PREPARING TO MIX 1 - SESSION ORGANISATION
26. PREPARING TO MIX 2 - GROUPING TRACKS
27. PREPARING TO MIX 3 - TIDYING UP AUDIO
28. ASSIGNMENT