OwnHammer - Impulse Response Libraries - Heavy Hitters Collection [Reduced] (WAV) - импульсы гитарных кабинетов 

OwnHammer - Impulse Response Libraries - Heavy Hitters Collection [Reduced] (WAV)

Издатель: OwmHammer
Сайт: ownhammer.com
Формат: WAV
Качество: 24 bit 44.1, 48, 96 kHz mono
Размер: 442.3 MB

Всем известная "метальная" библиотека, в которой мной вырезано всё "лишнее". Объединены оба тома, оставлены импульсы длиной 200 мс, с частотами семплирования 44,1, 48 и 96 кГц, и с минимально-фазовым преобразованием. Удалены миксы динамиков и кабинетов. Удалены "Quick-Start", "Summary" и "A1 Pick". Итоговый размер вы видите сами.


Кабинеты и динамики
“212 ZLFB” is based on a Zilla Fatboy 2x12 cabinet.
• “H75” based on Celestion G12H-75 “Creamback” speakers.
• “LYN” based on Celestion G12-50GL “Lynchback” speakers.
• “V30” based on Celestion Vintage 30 speakers.

“212 ZLSF” is based on a Zilla Super Fatboy 2x12 cabinet.
• “M25” based on 6402 cone Celestion G12M-25 “Greenback” speakers.
• “V30” based on Celestion Vintage 30 speakers.
• “WLV” based on Celestion WH-80 Wolverine speakers.

“412 DZL” is based on a Diezel front loaded 4x12 cabinet.
• “12K” based on Celestion G12K-100 speakers.
• “GOV” based on Eminence Governor speakers.
• “V30” based on Celestion Vintage 30 speakers.

“412 EDVH” is based on an EVH 5150 III 4x12 cabinet.
• “EDVH” based on Celestion G12EVH speakers.
• “SHF” based on Sheffield 1230 speakers.
• “V30” based on Celestion Vintage 30 speakers.

“412 EMPR” is based on an Emperor 4x12 cabinet.
• “C65” based on Weber Ceramic 1265 speakers.
• “H100” based on Celestion G12H-100 speakers.
• “V30” based on Celestion Vintage 30 speakers.

“412 MAR” is based on a Marshall Mode Four 4x12 cabinet.
• “EDVH” based on Celestion G12EVH speakers.
• “T75” based on Celestion G12T-75 speakers.
• “V30” based on Celestion Vintage 30MF speakers.

“412 MES” is based on a MESA/Boogie Standard/Oversized 4x12 cabinet.
• “G80” based on vintage Celestion G12-80 (original “Classic Lead”) speakers.
• “H30” based on Celestion G12H-30 75 Hz “Creamback” speakers.
• “V30” based on MESA/Boogie custom Celestion Vintage 30 speakers.

“412 ORN” is based on an Orange PPC412 4x12 cabinet.
• “H30” based on 1971 Rola Celestion G12H-30 75 Hz “Greenback” speakers.
• “M25” based on 6402 cone Celestion G12M-25 “Greenback” speakers.
• “V30” based on Orange Amps custom Celestion Vintage 30 speakers.

Микрофоны и их миксы

MICS

• “57” is based on a modern production Shure SM57 dynamic microphone.
• “70” is based on a Microtech Gefell UMT70S condenser microphone.
• “121” is based on a Royer R121 ribbon microphone.
• “160” is based on a Beyerdynamic M160 ribbon microphone.
• “414” is based on an AKG C414 B-ULS condenser microphone.
• “421” is based on a vintage Telefunken MD421/5 dynamic microphone.
• “MID” is based on a mid field placed AEA R92 ribbon microphone.
• “REAR” is based on a vintage Neumann KM84 condenser microphone.
• “ROOM” is based on a vintage Neumann KM84 condenser microphone.

MIXES

• “BOLD” is a proprietary mix that has a forward midrange with a slightly relaxed top and bottom end.
• “CHUNK” is based on a more “fat” sounding versions of BOLD and PROG mixes.
• “CUT” is based on an on-axis 57 and off-axis 57 mic combination.
• “JS” is based on a multi-mic configuration created by Jon Symons.
• “MDRN” is based on a 57 + 421 mic combination.
• “OH1” is based on a 57 + 121 mic combination.
• “OH1F” is based on a more “fat” sounding 57 + 121 mic combination.
• “OH2” is based on a 421 + 121 mic combination.
• “OH2F” is based on a more “fat” sounding 421 + 121 mic combination.
• “PROG” is a proprietary mix that excels in modern progressive music styles.
• “SP2” is based on a multi-mic configuration created by Scott Peterson.




Если ваш тон получается слишком "тёмным", не стоит выкручивать "Treble" и/или "Presence" на усилителе на максимум, и/или поднимать высокие частоты на эквалайзере стоящем в цепи после "кабинета". Лучше повесьте эксайтер. Для тяжёлых гитар хорошо подходят "Aphex Vintage Aural Exciter" от Waves и "SPL Vitalizer MK2-T" от Plugin Alliance.

Если на палм-мьютах ваш тон "бубнит" и "пердит" даже при использовании "грелки", не стоит выкручивать "Bass" и/или "Deep" на усилителе в "ноль", иначе при обычном "высекании" и "чёсе" вы получите "тонкий" и "пересушенный" тон. Лучше повесьте многополосный компрессор и давите им только "низы". Ну или отрежьте ФВЧ 120-150 Гц, но тогда может пропасть "вайб" от "джи-джи".

Если ваш тон получается слишком "тонкий", не выкручивайте "Gain" на усилителе на максимум, иначе у вас ухудшиться "читаемость" аккордов и пропадёт "динамика". Лучше приподнимите эквалайзером нижнюю середину (200-400 Гц) перед входом в усилитель.


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