[Mixthru] Pop by Matthew Weiss [2016, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊΠΈ Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌΒ
![Π‘ΠΊΠ°ΡΠ°ΡΡ [Mixthru] Pop by Matthew Weiss [2016, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊΠΈ Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌΒ](https://vsthouse.ru/_ld/154/64160828.jpg)
[Mixthru] Pop by Matthew Weiss [2016, ENG]
ΠΠΎΠ΄ Π²ΡΠΏΡΡΠΊΠ°: 2016
ΠΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: Mixthru
Π‘Π°ΠΉΡ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: mixthru.co/
ΠΠ²ΡΠΎΡ: Matthew Weiss
ΠΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ: 03:14:43
Π’ΠΈΠΏ ΡΠ°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°: ΠΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊ
Π€Π°ΠΉΠ»Ρ ΠΏΡΠΈΠΌΠ΅ΡΠΎΠ²: ΠΏΡΠΈΡΡΡΡΡΠ²ΡΡΡ
Π€ΠΎΡΠΌΠ°Ρ Π²ΠΈΠ΄Π΅ΠΎ: MP4
ΠΠΈΠ΄Π΅ΠΎ: AVC, 1920x1080, 16:9, 30,000 ΠΊΠ°Π΄ΡΠΎΠ²/ΡΠ΅ΠΊ, ~4252 ΠΠ±ΠΈΡ/ΡΠ΅ΠΊ
ΠΡΠ΄ΠΈΠΎ: AAC, 44,1 ΠΠΡ, ~298 ΠΠ±ΠΈΡ/ΡΠ΅ΠΊ, 2 ΠΊΠ°Π½Π°Π»Π°Β
Π―Π·ΡΠΊ: ΠΠ½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ
Π Π°Π·ΠΌΠ΅Ρ: Β 10.11 GBΒ
Π£Π·Π½Π°ΠΉΡΠ΅, ΠΊΠ°ΠΊ ΠΎΡ Π½Π°ΡΠ°Π»Π° Π΄ΠΎ ΠΊΠΎΠ½ΡΠ° ΡΠ²Π΅ΡΡΠΈ ΠΏΠΎΠΏ-Π·Π°ΠΏΠΈΡΡ, Π²ΠΊΠ»ΡΡΠ°Ρ Π²ΡΡΡΠ°Π²Π»Π΅Π½ΠΈΠ΅ ΡΡΠΎΠ²Π½Π΅ΠΉ, ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ ΡΠΊΠ²Π°Π»ΠΈΠ·Π°ΡΠΈΠΈ, ΠΊΠΎΠΌΠΏΡΠ΅ΡΡΠΈΠΈ, ΡΠ΅Π²Π΅ΡΠ±Π΅ΡΠ°ΡΠΈΠΈ, Π΄ΠΈΡΡΠΎΡΡΠ½Π°, Π»ΠΈΠΌΠΈΡΠ΅ΡΠΎΠ² ΠΈ ΠΌΠ½ΠΎΠ³ΠΎΠ΅ Π΄ΡΡΠ³ΠΎΠ΅.
Learn how to mix a pop record from start to finish including levels, EQ, compression, reverb, distortion, limiting, and more. Includes stems for practice.
- Mix and negotiate multiple bass elements in a mix
- Establish and utilize contrast within dense arrangements
- Mix guitars while drawing from cross-genre influences
- Shape synth pads around vocals and other instruments
- Utilize compression to accentuate rhythmic patterns
- Mix for a specific record and train your ear for context
- Utilize transitional effects to emphasize section changes
- Use reverb to add space and depth in a mix
- Create height using EQ to exaggerate a sense of dimension
- Mix vocals to fit specific sections of a dynamic record