[Lynda.com] Foundations of Digital Audio [2016, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊΠΈ Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌΒ
[Lynda.com] Foundations of Digital Audio [2016, ENG]
ΠΠΎΠ΄ Π²ΡΠΏΡΡΠΊΠ°: 2016
ΠΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: Lynda.com
Π‘Π°ΠΉΡ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: www.lynda.com/Acoustics-tutorials/Foundations-Digital-Audio/383529-2.html
ΠΠ²ΡΠΎΡ: Matt Mayfield
ΠΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ: 03:13:00
Π’ΠΈΠΏ ΡΠ°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°: ΠΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊ
Π€Π°ΠΉΠ»Ρ ΠΏΡΠΈΠΌΠ΅ΡΠΎΠ²: ΠΎΡΡΡΡΡΡΠ²ΡΡΡ
Π€ΠΎΡΠΌΠ°Ρ Π²ΠΈΠ΄Π΅ΠΎ: MP4
ΠΠΈΠ΄Π΅ΠΎ: AVC, 1280x720, 16:9, 29,970 ΠΊΠ°Π΄ΡΠΎΠ²/ΡΠ΅ΠΊ, ~ 883 ΠΠ±ΠΈΡ/ΡΠ΅ΠΊ
ΠΡΠ΄ΠΈΠΎ: AAC, 48,0 ΠΠΡ, 160 ΠΠ±ΠΈΡ/ΡΠ΅ΠΊ, 2 ΠΊΠ°Π½Π°Π»Π°Β
Π―Π·ΡΠΊ: ΠΠ½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ
Π Π°Π·ΠΌΠ΅Ρ: Β 1.39 GBΒ
Π£Π·Π½Π°ΠΉΡΠ΅ Π²ΡΠ΅, ΡΡΠΎ Π½ΡΠΆΠ½ΠΎ Π·Π½Π°ΡΡ ΠΎ ΡΠ°Π±ΠΎΡΠ΅ Ρ ΡΠΈΡΡΠΎΠ²ΡΠΌ Π·Π²ΡΠΊΠΎΠΌ. Π ΡΡΠΎΠΌ ΡΠ»Π°Π³ΠΌΠ°Π½ΡΠΊΠΎΠΌ ΠΊΡΡΡΠ΅, Π°Π²ΡΠΎΡ ΠΡΡΡ ΠΡΠΉΡΠΈΠ»Π΄ Π΄Π΅ΠΌΠΎΠ½ΡΡΡΠΈΡΡΠ΅Ρ ΡΠΈΡΠΎΠΊΠΈΠΉ ΡΠΏΠ΅ΠΊΡΡ ΠΎΡΠ½ΠΎΠ² Π°ΡΠ΄ΠΈΠΎ ΠΈ ΠΌΡΠ·ΡΠΊΠΈ. Π£ΡΠΎΠΊΠΈ ΠΏΡΠ΅Π΄Π½Π°Π·Π½Π°ΡΠ΅Π½Ρ Π΄Π»Ρ Π½Π°ΡΠΈΠ½Π°ΡΡΠΈΡ ΠΌΡΠ·ΡΠΊΠ°Π½ΡΠΎΠ², Π°Π²ΡΠΎΡΠΎΠ² ΠΏΠ΅ΡΠ΅Π½, ΠΏΡΠΎΠ΄ΡΡΠ΅ΡΠΎΠ² ΠΈ ΠΈΠ½ΠΆΠ΅Π½Π΅ΡΠΎΠ²; ΡΠ΅, ΡΡΠΎ Π΄Π΅Π»Π°Π΅Ρ ΡΠΊΠ°ΡΠΎΠΊ ΠΎΡ Π°Π½Π°Π»ΠΎΠ³Π° ΠΊ ΡΠΈΡΡΠ΅; ΠΈ ΡΠΏΠ΅ΡΠΈΠ°Π»ΠΈΡΡΠΎΠ², ΠΊΠΎΡΠΎΡΡΠΌ Π½Π΅ΠΎΠ±Ρ ΠΎΠ΄ΠΈΠΌΠΎ ΠΎΡΠ²Π΅ΠΆΠΈΡΡ ΡΠ²ΠΎΠΈ Π·Π½Π°Π½ΠΈΡ.
Π‘ΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠ΅
Introduction 2m 6s
Welcome 2m 6s
1. Concepts of Sound 26m 58s
What is sound made of? 2m 51s
Frequency and amplitude 8m 21s
Phase and time 4m 37s
How do we hear? 6m 16s
The acoustic, analog, and digital domains 4m 53s
2. The Signal Path: Acoustic and Analog 28m 38s
Overview of a signal path 4m 20s
Getting sound into the analog domain 3m 59s
Types of analog connections 7m 54s
Gain stages in the analog domain 3m 0s
Metering 5m 52s
Getting sound back to the acoustic domain 3m 33s
3. The Signal Path: Digital 44m 54s
Adding the digital domain 3m 54s
Analog to digital conversion 7m 11s
Gain stages in the digital domain 4m 23s
Dither 6m 59s
Digital to analog conversion 9m 13s
Digital formats and data compression 8m 12s
How digital connections work 5m 2s
4. Digital Audio Workstations 23m 58s
Introducing the DAW 4m 51s
Types of DAWs 5m 0s
Effects plugins and virtual instruments 5m 10s
Managing computer resources 8m 57s
5. MIDI 16m 4s
MIDI: Recording performances, not sounds 6m 24s
How MIDI is communicated 6m 18s
Storing and processing MIDI 3m 22s
6. Mixing and Processing Audio 48m 38s
Levels, pan, and automation 6m 54s
Monitoring levels while mixing 3m 46s
Partials, harmonics, and equalization (EQ) 6m 33s
Types of EQ components 7m 48s
Compression and other dynamic processing 3m 14s
Threshold, ratio, and four types of dynamic processors 5m 18s
Attack and release in dynamic processors 5m 46s
Reverb 5m 55s
Characteristics of analog and digital 3m 24s
Conclusion 2m 15s
Next steps 2m 15s