Soundiron - Voices Of Gaia (KONTAKT) - ΡΡΠΌΠΏΠ»Ρ Π²ΠΎΠΊΠ°Π»Π° KontaktΒ
Soundiron - Voices Of Gaia (KONTAKT)
ΠΠ·Π΄Π°ΡΠ΅Π»Ρ: Soundiron
Π‘Π°ΠΉΡ: soundiron.com/products/voices-of-gaia
Π€ΠΎΡΠΌΠ°Ρ: KONTAKT 5.6.8+
ΠΠ°ΡΠ΅ΡΡΠ²ΠΎ: 24 bit 48 kHz stereo
Π Π°Π·ΠΌΠ΅Ρ: 9.73 GB
Voices Of Gaia - Π΄ΠΈΠ½Π°ΠΌΠΈΡΠ½ΡΠΉ ΠΈ ΠΈΡΡΠ»Π΅Π΄ΠΎΠ²Π°ΡΠ΅Π»ΡΡΠΊΠΈΠΉ ΠΌΠΈΡ, ΡΠ°ΡΠ½Π΄ΡΡΠ΅ΠΊ ΠΈ ΠΈΠ½Π΄ΠΈΠ²ΠΈΠ΄ΡΠ°Π»ΡΠ½Π°Ρ ΠΊΠΎΠ»Π»Π΅ΠΊΡΠΈΡ Π²ΠΎΠΊΠ°Π»ΠΈΡΡΠΎΠ² Π΄Π»Ρ Kontakt, Π² ΠΊΠΎΡΠΎΡΠΎΠΌ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½Ρ 4 Π²ΡΠ΄Π°ΡΡΠΈΡ ΡΡ ΠΏΠ΅Π²ΡΠ° ΠΎΡ Π±Π°ΡΠΈΡΠΎΠ½Π° Π΄ΠΎ ΠΌΠ΅ΡΡΠΎ-ΡΠΎΠΏΡΠ°Π½ΠΎ. ΠΠ°ΠΆΠ΄ΡΠΉ ΠΏΠ΅Π²Π΅Ρ Π²ΠΊΠ»ΡΡΠ°Π΅Ρ Π² ΡΠ΅Π±Ρ ΡΡΠ½Π΄Π°ΠΌΠ΅Π½ΡΠ°Π»ΡΠ½ΡΠ΅ Ρ ΡΠΎΠΌΠ°ΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ Π°ΡΡΠΈΠΊΡΠ»ΡΡΠΈΠΈ, ΡΠ°ΠΊΠΈΠ΅ ΠΊΠ°ΠΊ ΠΈΡΡΠΈΠ½Π½ΠΎΠ΅ Π»Π΅Π³Π°ΡΠΎ, ΡΡΡΡΠ΅ΠΉΠ½ ΠΈ ΡΡΠ°ΠΊΠΊΠ°ΡΠΎ, Π° ΡΠ°ΠΊΠΆΠ΅ ΡΡΡΡΡΠΈ ΠΏΡΠ΅ΠΊΡΠ°ΡΠ½ΡΡ Π΄ΠΈΠ½Π°ΠΌΠΈΡΠ΅ΡΠΊΠΈΡ ΡΡΠ°Π· Π²ΠΎ ΠΌΠ½ΠΎΠΆΠ΅ΡΡΠ²Π΅ ΡΠΎΠ½ΠΎΠ², ΡΠ΅ΠΌΠΏΠΎΠ² ΠΈ ΡΡΠΈΠ»Π΅ΠΉ. Π Π½Π΅ΠΌ ΠΏΡΠ΅Π΄ΡΡΠ°Π²Π»Π΅Π½Ρ Π³ΠΎΠ»ΠΎΡΠ° Francesca Genco, Linda Strawberry, Bryan Lane ΠΈ Michael Peaslee. ΠΡ Π·Π°ΠΏΠΈΡΡΠ²Π°Π»ΠΈ Π² ΡΡΡ ΠΎΠΉ ΡΡΡΠ΄ΠΈΠΉΠ½ΠΎΠΉ ΡΡΠ΅Π΄Π΅, ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΡ Π²ΡΡΠΎΠΊΠΈΠΉ Π΄ΠΈΠ½Π°ΠΌΠΈΡΠ΅ΡΠΊΠΈΠΉ Π΄ΠΈΠ°ΠΏΠ°Π·ΠΎΠ½, ΠΌΠΈΠΊΡΠΎΡΠΎΠ½Ρ Ρ Π±ΠΎΠ»ΡΡΠΎΠΉ Π΄ΠΈΠ°ΡΡΠ°Π³ΠΌΠΎΠΉ Neumann ΠΈ ΠΏΡΠ΅Π΄ΡΡΠΈΠ»ΠΈΡΠ΅Π»ΠΈ, ΡΡΠΎΠ±Ρ ΠΏΠΎΠ»ΡΡΠΈΡΡ ΠΌΠ°ΠΊΡΠΈΠΌΠ°Π»ΡΠ½ΡΡ Π΄Π΅ΡΠ°Π»ΠΈΠ·Π°ΡΠΈΡ, ΡΠ΅ΡΠΊΠΎΡΡΡ ΠΈ ΠΊΠ°ΡΠ΅ΡΡΠ²ΠΎ.
Voices Of Gaia Π²ΠΊΠ»ΡΡΠ°Π΅Ρ Ρ ΡΠΎΠΌΠ°ΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΠΈΡΡΠΈΠ½Π½ΡΠ΅ Π»Π΅Π³Π°ΡΠΎ, ΡΡΡΡΠ΅ΠΉΠ½ ΠΈ ΡΡΠ°ΠΊΠΊΠ°ΡΠΎ Π΄Π»Ρ Π²ΡΠ±ΠΎΡΠ° ΠΎΠ±ΡΠΈΡ Π³Π»Π°ΡΠ½ΡΡ . ΠΠ½ ΡΠ°ΠΊΠΆΠ΅ ΠΏΠΎΡΡΠ°Π²Π»ΡΠ΅ΡΡΡ Ρ ΡΡΡΡΡΠ°ΠΌΠΈ ΠΊΡΠ°ΡΠΈΠ²ΡΠΌΠΈ Π΄ΠΈΠ½Π°ΠΌΠΈΡΠ½ΡΠΌΠΈ ΠΆΠΈΠ²ΡΠΌΠΈ ΡΡΠ°Π·Π°ΠΌΠΈ ΠΈΡΠΏΠΎΠ»Π½Π΅Π½ΠΈΡ Π² ΡΠ°Π·Π»ΠΈΡΠ½ΡΡ ΡΠΎΠ½Π°Ρ ΠΈ ΡΠ΅ΠΌΠΏΠ°Ρ , Ρ ΡΠ΅ΡΠ΅Π΄ΠΎΠ²Π°Π½ΠΈΠ΅ΠΌ Π² ΡΠ΅Π°Π»ΡΠ½ΠΎΠΌ Π²ΡΠ΅ΠΌΠ΅Π½ΠΈ, ΠΊΠΎΠ½ΡΡΠΎΠ»Π΅ΠΌ ΡΠ΅ΠΌΠΏΠ°, ΡΠ΅Π΄Π°ΠΊΡΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅ΠΌ Π½Π°ΡΠ°Π»Π° / ΠΊΠΎΠ½ΡΠ°, Π²ΡΠ±ΠΎΡΠΎΠΌ ΠΊΠ°ΡΠ΅Π³ΠΎΡΠΈΠΈ ΠΈ ΠΊΠ»Π°Π²ΠΈΡ ΠΈ Ρ. Π΄.
ΠΡ ΡΠ°ΠΊΠΆΠ΅ Π½Π°ΠΉΠ΄Π΅ΡΠ΅ Π΄Π΅ΡΡΡΠΊΠΈ ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΡΡ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΈΡ Π°ΡΠΌΠΎΡΡΠ΅ΡΠ½ΡΡ ΡΠΈΠ½ΡΠ΅ΡΠΈΡΠ΅ΡΠΊΠΈΡ Π΄ΡΠΎΠ½ΠΎΠ² ΠΈ ΡΠ°ΡΠ½Π΄ΡΠΊΠ΅ΠΉΠΏΠΎΠ², ΠΊΠΎΡΠΎΡΡΠ΅ ΠΌΡ ΡΠΈΠ½ΡΠ΅Π·ΠΈΡΠΎΠ²Π°Π»ΠΈ ΠΈΠ· ΡΡΠΈΡ Π³ΠΎΠ»ΠΎΡΠΎΠ². ΠΠ½ΠΈ ΠΈΠ΄Π΅Π°Π»ΡΠ½ΠΎ ΠΏΠΎΠ΄Ρ ΠΎΠ΄ΡΡ Π΄Π»Ρ ΠΏΠΎΠ΄ΠΊΡΠ΅ΠΏΠ»Π΅Π½ΠΈΡ ΠΈ ΠΎΠΊΡΡΠΆΠ΅Π½ΠΈΡ. ΠΠ°ΡΡΠ΄Ρ Ρ Π½Π°ΡΠ΅ΠΉ ΠΏΠΎΠ»Π½ΠΎΠΉ ΠΏΠ°Π½Π΅Π»ΡΡ ΡΡΡΠ΅ΠΊΡΠΎΠ², Π±ΠΈΠ±Π»ΠΈΠΎΡΠ΅ΠΊΠ° ΠΏΡΠ΅Π΄Π»Π°Π³Π°Π΅Ρ Π²Π°ΠΌ ΠΏΠΎΡΡΠΈ Π±Π΅ΡΠΊΠΎΠ½Π΅ΡΠ½ΡΠ΅ ΡΠ²ΠΎΡΡΠ΅ΡΠΊΠΈΠ΅ Π²ΠΎΠ·ΠΌΠΎΠΆΠ½ΠΎΡΡΠΈ.
ΠΡ ΠΎΡ Π²Π°ΡΠΈΠ»ΠΈ Π±ΠΎΠ»Π΅Π΅ 60 ΡΠ°ΡΠΎΠ² Ρ ΡΠΎΠΌΠ°ΡΠΈΡΠ΅ΡΠΊΠΈΡ Π°ΡΡΠΈΠΊΡΠ»ΡΡΠΈΠΉ ΠΈ ΠΈΠΌΠΏΡΠΎΠ²ΠΈΠ·ΠΈΡΠΎΠ²Π°Π½Π½ΡΡ ΠΌΠ΅Π»ΠΎΠ΄ΠΈΡΠ΅ΡΠΊΠΈΡ ΡΠ»Π΅ΠΌΠ΅Π½ΡΠΎΠ² ΠΈ ΡΡΠ°ΡΠ΅Π»ΡΠ½ΠΎ ΡΠΎΠ±ΡΠ°Π»ΠΈ ΠΈΡ Π² ΡΡΡ ΡΠ½ΠΈΡΠΈΡΠΈΡΠΎΠ²Π°Π½Π½ΡΡ ΠΈ Π³ΠΈΠ±ΠΊΡΡ Π²ΠΈΡΡΡΠ°Π»ΡΠ½ΡΡ Π±ΠΈΠ±Π»ΠΈΠΎΡΠ΅ΠΊΡ ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½ΡΠΎΠ². ΠΠ»Π°Π³ΠΎΠ΄Π°ΡΡ ΡΠΈΡΡΠΎΠΌΡ ΠΈ ΠΈΠ½ΡΡΠΈΡΠΈΠ²Π½ΠΎ ΠΏΠΎΠ½ΡΡΠ½ΠΎΠΌΡ ΠΈΠ½ΡΠ΅ΡΡΠ΅ΠΉΡΡ, ΠΎΡΠ»ΠΈΡΠ½ΠΎΠΉ Π½Π°Π΄Π΅ΠΆΠ½ΠΎΡΡΠΈ ΠΈ Π½ΡΠ°Π½ΡΠΈΡΠΎΠ²Π°Π½Π½ΡΠΌ Π²ΠΎΠΊΠ°Π»ΡΠ½ΡΠΌ ΠΈΡΠΏΠΎΠ»Π½Π΅Π½ΠΈΡΠΌ, Voices Of Gaia ΡΡΡΠ°Π½Π°Π²Π»ΠΈΠ²Π°Π΅Ρ ΠΎΡΠΈΠ΅Π½ΡΠΈΡ Π΄Π»Ρ ΡΠ°ΡΠ½Π΄ΡΡΠ΅ΠΊΠΎΠ² ΠΈ ΠΌΠΈΡΠΎΠ²ΡΡ ΠΌΡΠ·ΡΠΊΠ°Π»ΡΠ½ΡΡ Π²ΠΎΠΊΠ°Π»ΡΠ½ΡΡ Π±ΠΈΠ±Π»ΠΈΠΎΡΠ΅ΠΊ.
Overview
Vowel Sustains: Infinite sustains with attack shaping for a variety of common vowel sounds in various styles and dynamics.
Vowel Staccatos: Short notes with round-robin for a variety of common vowel sounds in various styles and dynamics.
Live Performance Phrases: A huge variety of over 9,607 melodic and dynamic passages in a variety of categories, tempos and root keys.
Vocal SFX: Breaths, Laughs, Whispers and other useful vocal sounds to add life to your mix.
Sound-designed Pads and Ambiences: 137 Atmospheric drones, ambiences, synth patches, sonic textures and evolving soundscapes hand-crafted from the raw vocal source. From smooth and celestial to brutally gritty and sinister, we give you a big range of choices that are perfect for layering, underscoring, creative sound design, electronic and hybrid music production.
Francesca
2,982 phrases
New Phrases: 1,202
Legato: Ah (mf), Ee (p), Eh (F), Mm (p), Oh (F), Oo mp
Sustain: Ah (p), Ah (mf), Ah (F), Ay (F), Ee (p), Ee (F), Eh (p), Eh (F), Mm (p), Mm (F), Oh (p), Oh (F), Oo (p), Oo (mf)
New sustains: Ee (p), Eh (p), Eh (F), Oh (p)
Staccato: Ah (p), Ah (F), Ee (p), Ee (F), Eh (p), Eh (F), La (p), La (F), Mm (p), Oh (p), Oh (F), Oo (p), Oo (F)
New staccatos: Ee (p), La (p), La (F), Mm (p), Oh (p)
Strawberry
2,633 phrases
Legato: Ah (F)
Sustain: Ah (F), Mm (p), Oh (F), Oo (p)
Staccato: Ah (F), Mm (p), Oh (F), Oo (p)
Bryn
2,016 phrases
Legato: Ah (F), Mm (p), Oo (p), whistle
Sustain: Ah (F), Mm (p), Oh (mf), Oo (p), Uh (F), Whistle
Staccato: Ah (F), Mm (p), Oh (mf), Oo (p), Uh (F), Whistle
Michael (All new content)
1976 phrases
Legato: Ah (F), Ee (p), Eh (F), Mm (p), Oh (F), Oo (p)
Sustain: Ah (p), Ah (F), Ee (p), Ee (F), Eh (F), Mm (p), Oh (p), Oh (F), Oo (p)
Staccato: Ah (F), Ee (p), Eh (F), Mm (p), Oh (F), Oo (p)
User Interface
Powerful Custom User Interface with CC and host automation support for all major DAWs and Komplete Kontrol hardware and software.
Main performance parameters include features like Swell, Attack, Offset, Release, Legato, Vibrato, Auto-Panning, Phrase Cross-fading, Pitch Shifting, Tempo-Sync/Time-Stretch, Unused sample purging, Articulation Key-Switching and Pitch Shift key-switching.
Ensemble presets include a mixer panel with separate solo/mute, volume, pan and key range controls for each vocalist.
FX Rack equipped with 18 powerful effect modules, with configurable controls and customizable routing and chain saving/loading.
119 integrated custom convolution IR samples in 10 distinct categories (Cathedral, Chamber, Large Room, Small Room, Hallways, Underground, Outdoors, Long FX and Short FX)
ΠΠΎΠ»ΠΎΡΠ°
Francesca Lilac Genco, MA is a singer and sound healer, yoga instructor, bodyworker and interdisciplinary arts teacher. Francesca has released two albums, Numinous River (2008) and Lullabies for a World in Transition (2012). Her singing was featured in Ryan Amonβs score for Elysium, Neill Blomkampβs science fiction film starring Matt Damon and Jodie Foster released in August 2013. Her voice was also featured in the BBCβs award-winning political spy thriller, The Honourable Woman, Kaveh Cohenβs Japanese trailer for James Cameronβs blockbuster film, Avatar, and in numerous video games, including World of Warcraft.
Linda Strawberry Coloma is a Los Angeles based vocalist, songwriter, video director, producer and engineer. She works with Billy Corgan (Smashing Pumpkins, Zwan, Spirits in the Sky), Bjorn Thorsrud, Alan Moulder, Bon Harris, Marianne Faithfull, The Dandy Warhols, David Coverdale, Dave Navarro, Mark Tulin, Kerry Brown, Mark Weitz and many more. She currently releases music through her label Lovely Chaos and has a song in the current season of Disney show Phineas and Ferb, airing soon. After a two year hiatus, during which she gave birth to her first child, she collaborated with director husband Justin Coloma creating the artwork for Peter Murphy's "I Spit Roses" music video. She also recorded a duet with Curt Smith (Tears for Fears) for The Shadow Bureau's "Don't Give Yourself Away".
Bryan Lane is a vocalist and multi-instrumentalist with an Artist Diploma in Early Music from Cornish College of the Arts in Seattle and a Masterβs in Vocal Performance at UCSB, where he performed the roles of Count Almaviva in The Barber of Seville and Nerone in The Coronation of Poppea. He attended the 2013 Amherst Early Music Festival performing in The Fairy Queen under the direction of Maestro Gary Wedow and Director Drew Minter. Bryan has performed comprimari and chorus roles with Opera Santa Barbara in productions of Le Nozze di Figaro, La Traviata, La Boheme and others. Bryan has also performed the role of Don Ramiro in La Cenerentola. On the musical theater stage, Bryan has performed as John the Baptist/Judas in Godspell.
Michael Peaslee lives in the bleed, the space between all things. He is an artist in a quantum state. He spins up to down, charming humans with his strangeness. He captains his slipship through the ocean of nothing in the place-that-is-not-a-place, slowly bubbling ideas that take form and invade reality. When required he slips a portion of himself across higher dimensional planes into our own so he can interact with our simpler selves. His perception of time and space is twisted and looped, living in a place of here-there and a time of now-then. He may seem confused at times but it only spears so β it is hard to focus communication to a single point when you are everywhere and everywhen.