[Ask Video] Orchestration 301 The MIDI Orchestra - Enhancing Realism [2014, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊΠΈ Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌΒ
[Ask Video] Orchestration 301 The MIDI Orchestra - Enhancing Realism [2014, ENG]
ΠΠΎΠ΄ Π²ΡΠΏΡΡΠΊΠ°: 2014
ΠΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: Ask Video
Π‘Π°ΠΉΡ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: www.askvideo.com/course/orchestration301-midi-orchestra-enhancing-realism
ΠΠ²ΡΠΎΡ: Peter (Ski) Schwartz
ΠΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ: 04:06:13
Π€Π°ΠΉΠ»Ρ ΠΏΡΠΈΠΌΠ΅ΡΠΎΠ²: Π½Π΅ ΠΏΡΠ΅Π΄ΡΡΠΌΠΎΡΡΠ΅Π½Ρ
Π€ΠΎΡΠΌΠ°Ρ Π²ΠΈΠ΄Π΅ΠΎ: MP4
ΠΠΈΠ΄Π΅ΠΎ: AVC, 1280x720, 16:9, 30.000 fps, ~887 Kbps
ΠΡΠ΄ΠΈΠΎ: AAC, 44.1 KHz, 96.0 Kbps, 2 channelsΒ
Π’ΠΈΠΏ ΡΠ°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°: ΠΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊ
Π―Π·ΡΠΊ: ΠΠ½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ
Π Π°Π·ΠΌΠ΅Ρ: Β 580 MB
ΠΠ°ΡΡΠ°Π²ΡΡΠ΅ Π²Π°Ρ MIDI ΠΎΡΠΊΠ΅ΡΡΡ Π·Π²ΡΡΠ°ΡΡ ΡΠ΅Π°Π»ΡΠ½ΠΎ! ΠΠ°ΡΡΠΈΡΠ΅ΡΡ ΠΈΡΠΊΡΡΡΡΠ²Ρ ΡΠΎΠ·Π΄Π°Π½ΠΈΡ ΡΠ΅Π°Π»ΠΈΡΡΠΈΡΠ½ΡΡ ΠΎΡΠΊΠ΅ΡΡΡΠΎΠ²ΡΠ΅ MIDI ΠΌΠ°ΠΊΠ΅ΡΠΎΠ² Π² ΡΡΠΎΠΌ Π²Π΄ΠΎΡ Π½ΠΎΠ²Π»ΡΡΡΠ΅ΠΌ ΠΊΡΡΡΠ΅ ΠΎΡ Peter (Ski) Schwartz. ΠΡΠΊΠ΅ΡΡΡΠΎΠ²ΡΠ΅ ΡΡΠΌΠΏΠ»ΠΈΡΠΎΠ²Π°Π½Π½ΡΠ΅ Π±ΠΈΠ±Π»ΠΈΠΎΡΠ΅ΠΊΠΈ ΠΈΡΠΏΠΎΠ»ΡΠ·ΡΡΡΡΡ Π²Π΅Π·Π΄Π΅. ΠΡ ΠΌΠΎΠΆΠ΅ΡΠ΅ ΠΊΡΠΏΠΈΡΡ Π΄Π΅ΡΠ΅Π²ΡΠ΅, ΠΈΠ»ΠΈ Π²ΡΠ»ΠΎΠΆΠΈΡΡ ΡΠ΅ΡΡΠ΅Π·Π½ΡΠ΅ Π΄Π΅Π½ΡΠ³ΠΈ Π½Π° ΡΠΎΠΏΠΎΠ²ΡΡ Π»ΠΈΠ½ΠΈΡ Π±ΠΈΠ±Π»ΠΈΠΎΡΠ΅ΠΊ. Π Π² ΡΠΎ Π²ΡΠ΅ΠΌΡ ΠΊΠ°ΠΊ ΠΊΠ°ΡΠ΅ΡΡΠ²ΠΎ Π²Π°ΡΠ΅ΠΉ Π±ΠΈΠ±Π»ΠΈΠΎΡΠ΅ΠΊΠΈ ΡΡΠΌΠΏΠ»ΠΎΠ² ΠΊΠΎΠ½Π΅ΡΠ½ΠΎ ΠΆΠ΅ Π²Π°ΠΆΠ½ΠΎ, ΠΏΡΠ°Π²ΠΈΠ»ΡΠ½ΡΠ΅ ΠΌΠ΅ΡΠΎΠ΄Ρ ΠΌΠΈΠ΄ΠΈΡΠΎΠ²Π°Π½ΠΈΡ ΠΌΠΎΠ³ΡΡ ΡΠ΄Π΅Π»Π°ΡΡ Π·Π²ΡΠΊ Π»ΡΠ±ΠΎΠΉ ΠΎΡΠΊΠ΅ΡΡΡΠΎΠ²ΠΎΠΉ ΡΡΠΌΠΏΠ»ΠΈΡΠΎΠ²Π°Π½Π½ΠΎΠΉ Π±ΠΈΠ±Π»ΠΈΠΎΡΠ΅ΠΊΠΈ Π±ΠΎΠ»Π΅Π΅ ΡΠ΅Π°Π»ΡΠ½ΡΠΌ. ΠΠ°ΠΌ ΠΏΡΠΎΡΡΠΎ Π½ΡΠΆΠ½ΠΎ ΡΠ·Π½Π°ΡΡ ΠΏΡΠΎΠ²Π΅ΡΠ΅Π½Π½ΡΠ΅ ΠΈ Π½Π°Π΄Π΅ΠΆΠ½ΡΠ΅ ΠΌΠ΅ΡΠΎΠ΄Ρ, ΠΊΠΎΡΠΎΡΡΠ΅ ΠΏΠΎΠΊΠ°Π·ΡΠ²Π°Π΅Ρ MIDI-ΠΌΠ°ΡΡΠ΅Ρ ΠΈ ΠΎΡΠΊΠ΅ΡΡΡΠΎΠ²ΡΠΉ ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΎΡ Peter (Ski) Schwartz, Π² ΡΡΠΎΠΌ ΠΈΠ½ΡΠΎΡΠΌΠ°ΡΠΈΠΎΠ½Π½ΠΎ Π½Π°ΡΡΡΠ΅Π½Π½ΠΎΠΌ ΠΊΡΡΡΠ΅!
Get real! Or at least get your MIDI orchestra to SOUND real! Learn the art of creating realistic orchestral MIDI mockups in this inspiring course by the one and only Peter (Ski) Schwartz.
Orchestral sample libraries are everywhere. You can buy cheap ones or you can shell out some serious cash for the top of the line libraries. And while the quality of your sample library is important, solid MIDI techniques can make ANY orchestral sample library sound more real. You just need to learn the tried and true methods that MIDI master and orchestral composer, Peter (Ski) Schwartz, reveals in this example-filled, information-packed, super-cool course!
Π‘ΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠ΅
01 Welcome (03:26)
02 Featured Sample Libraries (01:46)
03 DAW & Controllers (03:12)
04 Perspectives & The Best Libraries (06:36)
05 Advice for Newbies (05:27)
06 What is Realism? (03:09)
07 The 5 Degrees of Separation (08:09)
08 How Real Can It Sound? (03:41)
09 Playing to the Samples (07:11)
10 Dynamics Essentials (05:51)
11 Velocity Control (05:10)
12 Velocity Switch/Xfade Pt1 (06:14)
13 Velocity Switch/Xfade Pt2 (07:38)
14 Controller Velocity Response (05:10)
15 Velocity Compensation (01:52)
16 Exploring Velocity Editing (05:41)
17 Velocity Variations (01:25)
18 Hitting the Wall with Velocity (06:52)
19 Simulating Dynamics with CC7 Pt1 (04:52)
20 Simulating Dynamics with CC7 Pt2 (06:54)
21 The Myth of CC#11 (02:05)
22 Simulated Damping in EastWest (05:13)
23 Adding CC#11 Control to Kontakt (03:01)
24 Dynamic Crossfading & CC Control (05:55)
25 Breath Controller Dynamics (05:36)
26 Expressive Control in Vienna Instruments (06:54)
27 A Question of Intentions... (08:30)
28 Machine Guns & Robins (08:46)
29 When Envelopes Attack! (06:45)
30 The Problem of Mushy Attacks (04:47)
31 An Articulation Switching Primer (03:38)
32 Clarification via Articulation! (04:40)
33 The Mosaic Technique Pt1 (09:55)
34 The Mosaic Technique Pt2 (07:24)
35 Sample Offset: the Anti-Attack Control (10:25)
36 Enhancing Sample Clarity (08:50)
37 Realism & Release Time Pt1 (04:27)
38 Realism & Release Time Pt2 (04:45)
39 Realism & Release Time Pt3 (02:57)
40 Open String Vibrato? (05:13)
41 Wind & Brass Note Lengths (08:20)
42 String Position (04:50)
43 Introduction to the Harp (03:14)
44 Writing Realistic Parts (04:51)
45 Creating Your Own Glissandi (04:37)