[VTC] Audio Recording And Production [2007, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊΠΈ Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌΒ
[VTC] Audio Recording And Production [2007, ENG]
ΠΠΎΠ΄ Π²ΡΠΏΡΡΠΊΠ°: 2007
ΠΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: VTC
Π‘Π°ΠΉΡ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: www.vtc.com/products/Audio-Recording-and-Production.htm
ΠΠ²ΡΠΎΡ: Ben Harris
ΠΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ: 09:00:00
Π’ΠΈΠΏ ΡΠ°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°: ΠΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊ
Π―Π·ΡΠΊ: ΠΠ½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ
Π Π°Π·ΠΌΠ΅Ρ: Β 438 MBΒ
VTC's Audio Recording and Production ΡΠ°ΡΡΠΊΠ°Π·ΡΠ²Π°Π΅Ρ ΠΎΠ± ΠΎΡΠ½ΠΎΠ²Π°Ρ Π·Π°ΠΏΠΈΡΠΈ Π·Π²ΡΠΊΠ°, Π½Π΅ Π·Π°Π±ΡΠ²Π°Ρ ΠΎ ΠΏΠ΅ΡΠ΅Π΄ΠΎΠ²ΡΡ ΠΈ ΠΈΠ½ΡΠ΅ΡΠ΅ΡΠ½ΡΡ ΡΡΠ½ΠΊΡΠΈΡΡ . ΠΠ½Π° ΠΎΡ Π²Π°ΡΡΠ²Π°Π΅Ρ ΡΠ°ΠΊΠΈΠ΅ ΡΠ΅ΠΌΡ, ΠΊΠ°ΠΊ ΠΈΡΡΠΎΡΠΈΡ Π°Π½Π°Π»ΠΎΠ³ΠΎΠ²ΠΎΠΉ ΠΈ ΡΠΈΡΡΠΎΠ²ΠΎΠΉ Π·Π°ΠΏΠΈΡΠΈ, ΡΡΡΠ΄ΠΈΠΉΠ½ΠΎΠ³ΠΎ ΠΎΠ±ΠΎΡΡΠ΄ΠΎΠ²Π°Π½ΠΈΡ, Π°ΠΊΡΡΡΠΈΠΊΠΈ ΠΈ ΡΡΡΠ΄ΠΈΠΉΠ½ΠΎΠ³ΠΎ Π΄ΠΈΠ·Π°ΠΉΠ½Π°, ΡΠΎΡΠΌΡ ΠΈ ΡΠΈΠ½ΡΠ΅Π·Π°, MIDI, ΡΠΈΠ³Π½Π°Π»Π° ΠΏΠΎΡΠΎΠΊΠ° ΠΈ ΠΌΠ°ΡΡΡΡΡΠΈΠ·Π°ΡΠΈΠΈ, ΡΠΈΡΡΠΎΠ²ΠΎΠ΅ Π°ΡΠ΄ΠΈΠΎ ΠΈ ΡΠ΅Π΄Π°ΠΊΡΠΈΡΠΎΠ²Π°Π½ΠΈΡ, ΠΌΠΈΠΊΡΠΎΡΠΎΠ½Ρ ΠΈ Π²ΠΈΠ΄Ρ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΡ, ΡΠΊΠ²Π°Π»ΠΈΠ·Π°ΡΠΈΡ, Π΄ΠΈΠ½Π°ΠΌΠΈΠΊΠ° ΠΈ ΠΊΠΎΠΌΠΏΡΠ΅ΡΡΠΈΡ, ΡΠ΅Π²Π΅ΡΠ±Π΅ΡΠ°ΡΠΈΡ ΠΈ ΡΡΡΠ΅ΠΊΡΡ, ΠΌΠΈΠΊΡΠΈΡΠΎΠ²Π°Π½ΠΈΠ΅, ΠΌΠ°ΡΡΠ΅ΡΠΈΠ½Π³, ΠΈ ΠΈΠ½ΡΠ΅Π³ΡΠ°ΡΠΈΡ ΠΌΠ΅ΠΆΠ΄Ρ ΠΏΡΠΎΠ΅ΠΊΡΠ½ΠΎΠΉ ΠΈ ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΡΡ ΡΡΡΠ΄ΠΈΠΉ.
VTC's Audio Recording and Production covers the basics of recording without leaving out advanced and interesting features. It covers topics such as the history of analog and digital recording, studio equipment, acoustics and studio design, waveforms and synthesis, MIDI, signal flow and routing, digital audio and editing, microphones types and usage, equalization, dynamics and compression, reverb and time-based effects, mixing, mastering, and the integration between the project and professional studios. This tutorial will give any novice recording engineer the tools, techniques, and knowledge to effectively record and produce professional sounding projects. To begin learning, click on one of the movie topics.
Π‘ΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠ΅
Introduction
Introduction (05:00)
Course Methodology (01:46)
History of Audio
Analog Recording pt. 1 (03:36)
Analog Recording pt. 2 (04:46)
Digital Recording pt. 1 (03:25)
Digital Recording pt. 2 (03:51)
Home Studio Revolution (01:52)
Workstations / Equipment
DAW (02:08)
Audio Interface (04:49)
Mixing Console/Preamp (03:07)
Microphone (03:02)
Headphones (04:07)
Studio Monitors (03:22)
MIDI Controller (03:17)
Computer (04:27)
Hard Drives (05:10)
Software Programs (02:57)
Mac vs. PC (05:20)
Room Design / Acoustics
Acoustics Basics pt. 1 (03:53)
Acoustics Basics pt. 2 (05:41)
Acoustics Basics pt. 3 (06:29)
Programming (02:56)
Problems and Solutions (06:04)
Songwriting / Producing
Songwriting pt. 1 (04:22)
Songwriting pt. 2 (04:36)
Arranging (05:25)
Recording Process (05:41)
Producing pt. 1 (04:03)
Producing pt. 2 (06:32)
Synthesis
Waves (06:40)
Synthesizers (03:01)
Oscillators (03:13)
Filters (04:35)
Envelopes (05:22)
Modulation (05:32)
Types of Synthesis (03:52)
Sampling (04:59)
MIDI
History of MIDI (02:56)
MIDI is a Protocol pt. 1 (05:04)
MIDI is a Protocol pt. 2 (05:35)
General MIDI (06:09)
Using MIDI in your DAW (05:18)
MIDI Recording (06:52)
MIDI Editing pt. 1 (04:30)
MIDI Editing pt. 2 (04:23)
Quantization (04:57)
Controllers (03:21)
Control Other Equipment (04:33)
Make MIDI Sound Real pt. 1 (06:45)
Make MIDI Sound Real pt. 2 (06:15)
Make MIDI Sound Real pt. 3 (06:42)
Signal Flow / Routing
Signal Flow vs. Routing (02:48)
Insert (04:23)
Auxiliary Send and Return (05:33)
Distortion (05:17)
Digital Routing in Pro Tools (06:50)
Digital Routing in Logic (04:26)
Digital Routing in Reason (04:42)
Digital Audio
Digital Audio (06:36)
Nyquist Theory (03:26)
Recording Audio (04:31)
Latency (06:43)
Audio File Management (03:59)
Editing Audio pt. 1 (03:43)
Editing Audio pt. 2 (05:50)
Editing Audio pt. 3 (03:00)
Cue (05:24)
Microphones
Microphone Types (06:04)
Microphone Patterns pt. 1 (04:28)
Microphone Patterns pt. 2 (04:14)
Microphone Positions and Techniques (04:26)
Microphone Examples pt. 1 (05:55)
Microphone Examples pt. 2 (05:24)
Microphone Examples pt. 3 (03:29)
Microphone Examples pt. 4 (05:39)
Microphone Examples pt. 5 (03:06)
Microphone Examples pt. 6 (05:39)
Dynamics
Compression Theory pt. 1 (03:49)
Compression Theory pt. 2 (06:47)
Compression Controls (05:52)
Compression (04:44)
Limiting (04:48)
Gate (03:14)
Sidechain (05:04)
Equalization
Equalization Types pt. 1 (05:25)
Equalization Types pt. 2 (04:37)
Equalization Examples pt. 1 (05:41)
Equalization Examples pt. 2 (06:35)
Time-Based Effects
Delay (07:21)
Reverb pt. 1 (03:51)
Reverb pt. 2 (05:02)
Reverb Types (06:21)
Natural Ambience (04:36)
Chorus / Phase and Flanger (04:30)
Mixing
Setting Up The Mix (06:07)
Levels and Panning (05:24)
Groups / Sub-Mixes and Busses (03:28)
Compression Techniques pt. 1 (04:52)
Compression Techniques pt. 2 (03:25)
Gating Techniques (05:02)
Equalization Techniques pt. 1 (05:56)
Equalization Techniques pt. 2 (04:30)
Reverb in Mixing (06:09)
Delay in Mixing (05:40)
Automation (07:12)
Mixdown (07:22)
Mastering
Purpose of Mastering (03:42)
Mastering Tools (03:39)
Mastering Techniques pt. 1 (05:00)
Mastering Techniques pt. 2 (05:29)
Authoring a CD (03:10)
Loudness Wars (05:58)
CD Authoring and Duplication (06:32)
Conclusion
Project and Professional Studio Integration (05:48)
Wrap Up (01:27)
About the Author (04:54)