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[VTC] Audio Recording And Production [2007, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡƒΡ€ΠΎΠΊΠΈ Π½Π° английском 

Π‘ΠΊΠ°Ρ‡Π°Ρ‚ΡŒ [VTC] Audio Recording And Production [2007, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡƒΡ€ΠΎΠΊΠΈ Π½Π° английском 


[VTC] Audio Recording And Production [2007, ENG]

Π“ΠΎΠ΄ выпуска: 2007
ΠŸΡ€ΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡ‚Π΅Π»ΡŒ: VTC
Π‘Π°ΠΉΡ‚ производитСля: www.vtc.com/products/Audio-Recording-and-Production.htm
Автор: Ben Harris
ΠŸΡ€ΠΎΠ΄ΠΎΠ»ΠΆΠΈΡ‚Π΅Π»ΡŒΠ½ΠΎΡΡ‚ΡŒ: 09:00:00
Π’ΠΈΠΏ Ρ€Π°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΠ°Π»Π°: Π’ΠΈΠ΄Π΅ΠΎΡƒΡ€ΠΎΠΊ
Π―Π·Ρ‹ΠΊ: Английский
Π Π°Π·ΠΌΠ΅Ρ€: Β 438 MBΒ 

VTC's Audio Recording and Production рассказываСт ΠΎΠ± основах записи Π·Π²ΡƒΠΊΠ°, Π½Π΅ забывая ΠΎ ΠΏΠ΅Ρ€Π΅Π΄ΠΎΠ²Ρ‹Ρ… ΠΈ интСрСсных функциях. Она ΠΎΡ…Π²Π°Ρ‚Ρ‹Π²Π°Π΅Ρ‚ Ρ‚Π°ΠΊΠΈΠ΅ Ρ‚Π΅ΠΌΡ‹, ΠΊΠ°ΠΊ история Π°Π½Π°Π»ΠΎΠ³ΠΎΠ²ΠΎΠΉ ΠΈ Ρ†ΠΈΡ„Ρ€ΠΎΠ²ΠΎΠΉ записи, студийного оборудования, акустики ΠΈ студийного Π΄ΠΈΠ·Π°ΠΉΠ½Π°, Ρ„ΠΎΡ€ΠΌΡ‹ ΠΈ синтСза, MIDI, сигнала ΠΏΠΎΡ‚ΠΎΠΊΠ° ΠΈ ΠΌΠ°Ρ€ΡˆΡ€ΡƒΡ‚ΠΈΠ·Π°Ρ†ΠΈΠΈ, Ρ†ΠΈΡ„Ρ€ΠΎΠ²ΠΎΠ΅ Π°ΡƒΠ΄ΠΈΠΎ ΠΈ рСдактирования, ΠΌΠΈΠΊΡ€ΠΎΡ„ΠΎΠ½Ρ‹ ΠΈ Π²ΠΈΠ΄Ρ‹ использования, эквализация, Π΄ΠΈΠ½Π°ΠΌΠΈΠΊΠ° ΠΈ компрСссия, рСвСрбСрация ΠΈ эффСкты, ΠΌΠΈΠΊΡˆΠΈΡ€ΠΎΠ²Π°Π½ΠΈΠ΅, мастСринг, ΠΈ интСграция ΠΌΠ΅ΠΆΠ΄Ρƒ ΠΏΡ€ΠΎΠ΅ΠΊΡ‚Π½ΠΎΠΉ ΠΈ ΠΏΡ€ΠΎΡ„Π΅ΡΡΠΈΠΎΠ½Π°Π»ΡŒΠ½Ρ‹Ρ… студий.

VTC's Audio Recording and Production covers the basics of recording without leaving out advanced and interesting features. It covers topics such as the history of analog and digital recording, studio equipment, acoustics and studio design, waveforms and synthesis, MIDI, signal flow and routing, digital audio and editing, microphones types and usage, equalization, dynamics and compression, reverb and time-based effects, mixing, mastering, and the integration between the project and professional studios. This tutorial will give any novice recording engineer the tools, techniques, and knowledge to effectively record and produce professional sounding projects. To begin learning, click on one of the movie topics.

Π‘ΠΎΠ΄Π΅Ρ€ΠΆΠ°Π½ΠΈΠ΅
Introduction
Introduction (05:00)
Course Methodology (01:46)
History of Audio
Analog Recording pt. 1 (03:36)
Analog Recording pt. 2 (04:46)
Digital Recording pt. 1 (03:25)
Digital Recording pt. 2 (03:51)
Home Studio Revolution (01:52)
Workstations / Equipment
DAW (02:08)
Audio Interface (04:49)
Mixing Console/Preamp (03:07)
Microphone (03:02)
Headphones (04:07)
Studio Monitors (03:22)
MIDI Controller (03:17)
Computer (04:27)
Hard Drives (05:10)
Software Programs (02:57)
Mac vs. PC (05:20)
Room Design / Acoustics
Acoustics Basics pt. 1 (03:53)
Acoustics Basics pt. 2 (05:41)
Acoustics Basics pt. 3 (06:29)
Programming (02:56)
Problems and Solutions (06:04)
Songwriting / Producing
Songwriting pt. 1 (04:22)
Songwriting pt. 2 (04:36)
Arranging (05:25)
Recording Process (05:41)
Producing pt. 1 (04:03)
Producing pt. 2 (06:32)
Synthesis
Waves (06:40)
Synthesizers (03:01)
Oscillators (03:13)
Filters (04:35)
Envelopes (05:22)
Modulation (05:32)
Types of Synthesis (03:52)
Sampling (04:59)
MIDI
History of MIDI (02:56)
MIDI is a Protocol pt. 1 (05:04)
MIDI is a Protocol pt. 2 (05:35)
General MIDI (06:09)
Using MIDI in your DAW (05:18)
MIDI Recording (06:52)
MIDI Editing pt. 1 (04:30)
MIDI Editing pt. 2 (04:23)
Quantization (04:57)
Controllers (03:21)
Control Other Equipment (04:33)
Make MIDI Sound Real pt. 1 (06:45)
Make MIDI Sound Real pt. 2 (06:15)
Make MIDI Sound Real pt. 3 (06:42)
Signal Flow / Routing
Signal Flow vs. Routing (02:48)
Insert (04:23)
Auxiliary Send and Return (05:33)
Distortion (05:17)
Digital Routing in Pro Tools (06:50)
Digital Routing in Logic (04:26)
Digital Routing in Reason (04:42)
Digital Audio
Digital Audio (06:36)
Nyquist Theory (03:26)
Recording Audio (04:31)
Latency (06:43)
Audio File Management (03:59)
Editing Audio pt. 1 (03:43)
Editing Audio pt. 2 (05:50)
Editing Audio pt. 3 (03:00)
Cue (05:24)
Microphones
Microphone Types (06:04)
Microphone Patterns pt. 1 (04:28)
Microphone Patterns pt. 2 (04:14)
Microphone Positions and Techniques (04:26)
Microphone Examples pt. 1 (05:55)
Microphone Examples pt. 2 (05:24)
Microphone Examples pt. 3 (03:29)
Microphone Examples pt. 4 (05:39)
Microphone Examples pt. 5 (03:06)
Microphone Examples pt. 6 (05:39)
Dynamics
Compression Theory pt. 1 (03:49)
Compression Theory pt. 2 (06:47)
Compression Controls (05:52)
Compression (04:44)
Limiting (04:48)
Gate (03:14)
Sidechain (05:04)
Equalization
Equalization Types pt. 1 (05:25)
Equalization Types pt. 2 (04:37)
Equalization Examples pt. 1 (05:41)
Equalization Examples pt. 2 (06:35)
Time-Based Effects
Delay (07:21)
Reverb pt. 1 (03:51)
Reverb pt. 2 (05:02)
Reverb Types (06:21)
Natural Ambience (04:36)
Chorus / Phase and Flanger (04:30)
Mixing
Setting Up The Mix (06:07)
Levels and Panning (05:24)
Groups / Sub-Mixes and Busses (03:28)
Compression Techniques pt. 1 (04:52)
Compression Techniques pt. 2 (03:25)
Gating Techniques (05:02)
Equalization Techniques pt. 1 (05:56)
Equalization Techniques pt. 2 (04:30)
Reverb in Mixing (06:09)
Delay in Mixing (05:40)
Automation (07:12)
Mixdown (07:22)
Mastering
Purpose of Mastering (03:42)
Mastering Tools (03:39)
Mastering Techniques pt. 1 (05:00)
Mastering Techniques pt. 2 (05:29)
Authoring a CD (03:10)
Loudness Wars (05:58)
CD Authoring and Duplication (06:32)
Conclusion
Project and Professional Studio Integration (05:48)
Wrap Up (01:27)
About the Author (04:54)