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[Dance Music Production] Dimensional Mixing [2015, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡƒΡ€ΠΎΠΊΠΈ Π½Π° английском 

Π‘ΠΊΠ°Ρ‡Π°Ρ‚ΡŒ [Dance Music Production] Dimensional Mixing [2015, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡƒΡ€ΠΎΠΊΠΈ Π½Π° английском 


[Dance Music Production] Dimensional Mixing [2015, ENG]

Π“ΠΎΠ΄ выпуска: 2015
ΠŸΡ€ΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡ‚Π΅Π»ΡŒ: Dance Music Production
Π‘Π°ΠΉΡ‚ производитСля: www.dancemusicproduction.com/index.php/tutorials/technique/dimensional-mixing
Автор: Dance Music Production
ΠŸΡ€ΠΎΠ΄ΠΎΠ»ΠΆΠΈΡ‚Π΅Π»ΡŒΠ½ΠΎΡΡ‚ΡŒ: 07:35:00
Π’ΠΈΠΏ Ρ€Π°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΠ°Π»Π°: Π’ΠΈΠ΄Π΅ΠΎΡƒΡ€ΠΎΠΊ
Π€Π°ΠΉΠ»Ρ‹ ΠΏΡ€ΠΈΠΌΠ΅Ρ€ΠΎΠ²: ΠΎΡ‚ΡΡƒΡ‚ΡΡ‚Π²ΡƒΡŽΡ‚
Π€ΠΎΡ€ΠΌΠ°Ρ‚ Π²ΠΈΠ΄Π΅ΠΎ: MP4
Π’ΠΈΠ΄Π΅ΠΎ: AVC, 1280x720, 16^9, 30,000 ΠΊΠ°Π΄Ρ€ΠΎΠ²/сСк, ~941 ΠšΠ±ΠΈΡ‚/сСк
Аудио: AAC, 44,1 ΠšΠ“Ρ†, ~250 ΠšΠ±ΠΈΡ‚/сСк, 2 ΠΊΠ°Π½Π°Π»Π°
Π―Π·Ρ‹ΠΊ: Английский
Π Π°Π·ΠΌΠ΅Ρ€: 3.56 GB

Π’ этом Ρ‚ΠΎΠΌΠ΅ ΠΌΡ‹ рассмотрим Ρ‚Π΅ΠΎΡ€ΠΈΡŽ ΠΈ ΠΏΡ€Π°ΠΊΡ‚ΠΈΠΊΡƒ пространствСнного свСдСния элСктронной Ρ‚Π°Π½Ρ†Π΅Π²Π°Π»ΡŒΠ½ΠΎΠΉ ΠΌΡƒΠ·Ρ‹ΠΊΠΈ. Π—Π΄Π΅ΡΡŒ Π²Ρ‹ ΡƒΠ·Π½Π°Π΅Ρ‚Π΅ ΠΎ большСм, Ρ‡Π΅ΠΌ Π² Ρ‚ΠΈΠΏΠΈΡ‡Π½ΠΎΠΌ курсС ΠΎ свСдСнии. ΠœΡ‹ ΠΏΠΎΠ³ΠΎΠ²ΠΎΡ€ΠΈΠΌ Π½Π΅ Ρ‚ΠΎΠ»ΡŒΠΊΠΎ ΠΎΠ± основных ΠΌΠ΅Ρ‚ΠΎΠ΄Π°Ρ… свСдСния, ΠΌΡ‹ Ρ‚Π°ΠΊΠΆΠ΅ исслСдуСм Ρ‚Π΅ΠΎΡ€ΠΈΡŽ структуры усилСния, ΠΌΠΈΠΊΡˆΠ΅Ρ€ΡΠΊΠΈΠ΅ ΠΏΡƒΠ»ΡŒΡ‚Ρ‹, ΡˆΠΈΠ½Ρ‹, VCA Π³Ρ€ΡƒΠΏΠΏΡ‹, Ρ€Π°Π·Π²ΠΈΡ‚ΠΈΠ΅ слуха, Π²ΠΈΠ·ΡƒΠ°Π»ΡŒΠ½ΠΎΠ΅ свСдСниС ΠΈ ΠΊΠ°ΠΊ ввСсти Π΄ΠΎΠΏΠΎΠ»Π½ΠΈΡ‚Π΅Π»ΡŒΠ½ΠΎΠ΅ ΠΈΠ·ΠΌΠ΅Ρ€Π΅Π½ΠΈΠ΅ Π² вашС Π·Π²ΡƒΡ‡Π°Π½ΠΈΠ΅.


Disc One: Theory
Introduction
An introduction to the tutorial

Session 01: The Mixing Desk: 25 minutes
We begin with an introduction to the mixing desk, busses, cue mixes and VCA's.

Session 02: Panning & Pan Law: 15 minutes
For the second session, we examine how a DAW changes its panning function depending on the audio content of the channel.

Session 03: Reference Levels: 20 Minutes
Following on the previous session, we examine reference levels and their importance when mixing.

Session 04: Gain Structure: 25 minutes
In this session we discuss gain structure and its importance when mixing in a DAW.

Session 05: Ear Training 1: 25 minutes
We investigate the importance of trained ears and begin with basic training exercises.

Session 06: Ear Training 2: 30 Minutes
We continue with ear training, this time examining what we should be listening for in a mix.

Session 07: Listening Environment: 20 Minutes
You can't mix what you can't hear. For this session we examine how to modify your room for a better monitoring environment and discuss the alternatives.

Session 08: Mental preperation: 15 Minutes
We discuss the importance of preparation, including how to mentally approach a mix.

Session 09: Stemming: 30 Minutes
We prepapre to mix by starting to stem and consolidate the audio together

Session 08: Organising: 20 Minutes
For the final part of this disc, we discuss some of the ways in which to organise a mix.

Disc Two: Practical

Session 01: The Kick: 20 minutes
For this first session we approach an example mix and begin to mix and modify the tonality of the kick drum.

Session 02: Mixing Percussion: 60 minutes
With the kick prepared, we begin to mix and balance all of the percussion, showing some of the techniques you can use to attain a good mix balance

Session 03: Mixing Parallel: 20 Minutes
Parallel mixing is fundamental to all dance music mixes, but here we introduce an alternative...

Session 04: Mixing Bass: 20 minutes
In this session we discuss some low end theory and show how to approach mixing a bass.

Session 05: Mixing Leads: 30 minutes
Following on from the previous session, we continue to mix this time introducing the leads, while also showing how to fit huge leads into a mix.

Session 06: Mixing Vocals: 45 Minutes
Here, using a couple of examples, we discuss how you can appraoch. balance and mix vocals into music.

Session 07: Playing a Mix: 20 Minutes
In this session, we discuss the importance of playing the mix.

Session 08: Analogue Vs Digital: 15 Minutes
For the final session we attempt to answer the age old question by summing through a Neve and an SSL to compare with a DAW mix...The results might surprise you.