[Lynda.com] Up and Running with Omnisphere 2 [2015, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊΠΈ Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌΒ
[Lynda.com] Up and Running with Omnisphere 2 [2015, ENG]
ΠΠΎΠ΄ Π²ΡΠΏΡΡΠΊΠ°: 11/2015
ΠΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: Lynda
Π‘Π°ΠΉΡ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: lynda.com/Omnisphere-tutorials/Up-Running-Omnisphere-2/423995-2.html
ΠΠ²ΡΠΎΡ: J. Scott Giaquinta
ΠΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ: 2:16
Π’ΠΈΠΏ ΡΠ°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°: ΠΠΈΠ΄Π΅ΠΎΠΊΠ»ΠΈΠΏΡ
Π€Π°ΠΉΠ»Ρ ΠΏΡΠΈΠΌΠ΅ΡΠΎΠ²: ΠΎΡΡΡΡΡΡΠ²ΡΡΡ
Π€ΠΎΡΠΌΠ°Ρ Π²ΠΈΠ΄Π΅ΠΎ: MP4
ΠΠΈΠ΄Π΅ΠΎ: AVC, 1280x720, 16:9, 15fps, 272kbps
ΠΡΠ΄ΠΈΠΎ: AAC, 48kHz, 128kbps, stereoΒ
Π―Π·ΡΠΊ: ΠΠ½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ
Π Π°Π·ΠΌΠ΅Ρ: Β 553.6 MB
Spectrasonics Omnisphere - ΡΡΠΎ ΡΠΈΠ½ΡΠ΅Π·Π°ΡΠΎΡ ΠΎΠ³ΡΠΎΠΌΠ½ΠΎΠΉ ΠΌΠΎΡΠ½ΠΎΡΡΠΈ, Ρ Π±ΠΈΠ±Π»ΠΈΠΎΡΠ΅ΠΊΠΎΠΉ Π±ΠΎΠ»Π΅Π΅ 12 000 Π·Π²ΡΠΊΠΎΠ². ΠΠ³ΠΎ ΡΠ½ΠΈΠ²Π΅ΡΡΠ°Π»ΡΠ½ΠΎΡΡΡ Π΄Π΅Π»Π°Π΅Ρ Π΅Π³ΠΎ Π½Π΅Π·Π°ΠΌΠ΅Π½ΠΈΠΌΡΠΌ Π΄Π»Ρ Π»ΡΠ±ΠΎΠ³ΠΎ Π²ΠΈΠ΄Π° ΠΌΡΠ·ΡΠΊΠ°Π»ΡΠ½ΠΎΠΉ ΠΏΡΠΎΠ΄ΡΠΊΡΠΈΠΈ, Π² ΡΠΎΠΌ ΡΠΈΡΠ»Π΅ ΠΈ ΠΎΠ·Π²ΡΡΠΈΠ²Π°Π½ΠΈΡ ΡΠΈΠ»ΡΠΌΠΎΠ². Π ΡΡΠΎΠΉ Omnisphere ΡΡΠ΅Π±Π½ΡΠΉ ΠΊΡΡΡ, ΠΠΆ. Π‘ΠΊΠΎΡΡ Giaquinta ΠΎΠ±ΡΡΡΠ½ΡΠ΅Ρ, ΡΡΠΎ Π΄Π΅Π»Π°Π΅Ρ ΡΡΠΎΡ ΡΠ΄ΠΈΠ²ΠΈΡΠ΅Π»ΡΠ½ΡΠΉ ΡΠΈΠ½ΡΠ΅Π·Π°ΡΠΎΡ ΡΠ°Π±ΠΎΡΡ, Π² ΡΠΎΠΌ ΡΠΈΡΠ»Π΅ ΠΊΠΎΠ½ΡΠ΅ΠΏΡΠΈΠΈ, Π»Π΅ΠΆΠ°ΡΠΈΠ΅ Π·Π°Π³ΠΎΠ»ΠΎΠ²ΠΊΠΈ, ΡΠΊΡΠΏΡΠ΅ΡΡ, Π΄Π΅ΡΠ°Π»ΠΈ, ΠΈ ΡΠ»ΠΎΠΈ, ΠΈ ΠΏΠΎΠΊΠ°Π·ΡΠ²Π°Π΅Ρ, ΠΊΠ°ΠΊ Π½Π°ΠΉΡΠΈ Π·Π²ΡΠΊΠΈ Π² ΡΠ²ΠΎΠ΅ΠΉ ΠΎΠ±ΡΠΈΡΠ½ΠΎΠΉ Π±ΠΈΠ±Π»ΠΈΠΎΡΠ΅ΠΊΠΈ. ΠΠ½ ΡΠ°ΠΊΠΆΠ΅ Π΄Π΅ΠΌΠΎΠ½ΡΡΡΠΈΡΡΠ΅Ρ, ΠΊΠ°ΠΊ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°ΡΡ ΡΠ°Ρ, ΡΠ½ΠΈΠΊΠ°Π»ΡΠ½ΡΠΉ ΠΊΡΡΠ³ΠΎΠ²ΠΎΠΉ ΡΠ΅Π³ΡΠ»ΡΡΠΎΡ, ΠΈ Π·Π΅ΡΠ½ΠΈΡΡΡΠΉ Π΄Π²ΠΈΠ³Π°ΡΠ΅Π»Ρ ΠΌΠΎΠ΄ΠΈΡΠΈΡΠΈΡΠΎΠ²Π°ΡΡ Π·Π²ΡΠΊΠΈ, ΠΈ ΡΡΡΠΎΠΈΡΡ ΡΠ²ΠΎΠΈ ΡΠΎΠ±ΡΡΠ²Π΅Π½Π½ΡΠ΅ Π·Π²ΡΠΊΠΈ Ρ ΡΠ°ΠΊΠΈΠΌΠΈ ΡΡΠ½ΠΊΡΠΈΡΠΌΠΈ, ΠΊΠ°ΠΊ ΠΠ°ΡΡΠΈΡΠ° ΠΌΠΎΠ΄ΡΠ»ΡΡΠΈΠΈ ΠΈ FX ΠΌΠΎΠ΄ΡΠ»ΠΈ. Π Π·Π°ΠΊΠ»ΡΡΠΈΡΠ΅Π»ΡΠ½ΡΡ Π³Π»Π°Π²Π°Ρ , ΠΠΆ. Π‘ΠΊΠΎΡΡ Π³. ΠΏΠΎΠΊΠ°Π·Π°Π½ΠΎ, ΠΊΠ°ΠΊ ΡΠΎΠ·Π΄Π°ΡΡ Π΄Π²Π° ΡΠΎΠ²Π΅ΡΡΠ΅Π½Π½ΠΎ Π½ΠΎΠ²ΡΡ Π·Π²ΡΠΊΠΎΠ² (ΠΠ°ΡΠΎΠ² ΠΈ ΠΊΠΎΠ»ΠΎΠ΄ΠΊΠΈ) Ρ Π½ΡΠ»Ρ Ρ Omnisphere.Β
Π‘ΠΎΠ΄Π΅ΡΠΆΠ°Π½ΠΈΠ΅
Introduction
Welcome
What you need to know
1. Concepts
Understanding Omnisphere's architecture and hierarchy
Navigating the header and multis
How to set up automation
2. Managing Presets and Patches
Navigating with the mini-browser and full browser
Using Sound Match and Sound Lock to browse for similar sounding patches
Saving and managing your sounds
3. Navigating Omnisphere
Navigating common parameters of the main page
Navigating the layer pages
4. Using the Orb
Using the Orb to manipulate sounds
5. Building Your Sounds
Exploring Synth mode
Exploring Sample mode
Using filters to add texture to your sounds
Using envelopes as a modulation source
Using LFOs as a modulation source
Exploring the sidebar and Modulation Matrix
Using the granular engine to mangle sounds
6. Using Omnisphere's FX Modules
A brief overview of the FX section and architecture
Using modulation to control FX parameters
7. Using the Arpeggiator
Understanding the Arpeggiator
8. Using Stack and Live Mode
Using Stack mode to split sounds across a keyboard
Using Live mode
9. Creating Sounds from Scratch
Creating a bass sound from scratch
Creating a pad from scratch
Conclusion
Next steps