[Dance Music Production] Hardstyle [2014, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊΠΈ Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌΒ
[Dance Music Production] Hardstyle [2014, ENG]
ΠΠΎΠ΄ Π²ΡΠΏΡΡΠΊΠ°: 2014
ΠΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: Dance Music Production
Π‘Π°ΠΉΡ: www.dancemusicproduction.com
ΠΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ: 11:40:00
Π’ΠΈΠΏ ΡΠ°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°: ΠΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊ
Π€Π°ΠΉΠ»Ρ ΠΏΡΠΈΠΌΠ΅ΡΠΎΠ²: ΠΏΡΠΈΡΡΡΡΡΠ²ΡΡΡ
Π€ΠΎΡΠΌΠ°Ρ Π²ΠΈΠ΄Π΅ΠΎ: MOV
ΠΠΈΠ΄Π΅ΠΎ: AVC 1280x720 16:9 19,355fps 771kbps
ΠΡΠ΄ΠΈΠΎ: AAC 44,1 Hz stereo 128kbps 2 channels
Π―Π·ΡΠΊ: ΠΠ½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ
ΠΠ²ΡΠΎΡ: Dance Music Production
Π Π°Π·ΠΌΠ΅Ρ: 5.04 GB
Hardstyle ΡΠΌΠ΅ΡΠΈΠ²Π°Π΅Ρ Π²Π»ΠΈΡΠ½ΠΈΡ Ρ ΠΆΠ΅ΡΡΠΊΠΎΠ³ΠΎ ΡΡΠ°Π½ΡΠ°, Ρ Π°ΡΠ΄ Ρ Π°ΡΡΠ° ΠΈ Ρ Π°ΡΠ΄ΠΊΠΎΡΠ°. ΠΠ΄Π½ΠΈΠΌ ΠΈΠ· Π½Π°ΠΈΠ±ΠΎΠ»Π΅Π΅ Π°Π³ΡΠ΅ΡΡΠΈΠ²Π½ΡΡ ΡΠΎΡΠΌ ΡΠ°Π½ΡΠ΅Π²Π°Π»ΡΠ½ΠΎΠΉ ΠΌΡΠ·ΡΠΊΠΈ Π·Π°ΡΠ°ΡΡΡΡ Ρ ΠΈΡΠΏΠΎΠ»ΡΠ·ΠΎΠ²Π°Π½ΠΈΠ΅ΠΌ ΠΆΠ΅ΡΡΠΊΠΎΠ³ΠΎ, ΠΈΡΠΊΠ°ΠΆΠ΅Π½Π½ΠΎΠΉ Π±ΠΎΡΠΊΠΈ, ΡΠΌΠ΅ΡΠ°Π½Π½ΡΠΉ ΡΡΠ΅Π΄ΠΈ ΠΌΠ΅Π»ΠΎΠ΄ΠΈΡΠ½ΡΡ ΠΏΡΠΎΠ²ΠΎΠ΄ΠΎΠ² ΠΈ Π±ΠΈΠ½Π°ΡΠ½ΡΡ ΠΌΠΎΡΠΈΠ²Π°Ρ . ΠΠ½ ΡΠ°ΠΊΠΆΠ΅ ΡΠ²Π»ΡΠ΅ΡΡΡ ΠΎΠ΄Π½ΠΈΠΌ ΠΈΠ· Π½Π°ΠΈΠ±ΠΎΠ»Π΅Π΅ ΡΠ»ΠΎΠΆΠ½ΡΡ ΠΆΠ°Π½ΡΠΎΠ² ΡΠ°Π½ΡΠ΅Π²Π°Π»ΡΠ½ΠΎΠΉ ΠΌΡΠ·ΡΠΊΠΈ Π΄Π»Ρ Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ², ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΡ,ΡΡΠ΅Π±ΡΡ Π·Π½Π°Π½ΠΈΡ ΡΠ΅Π»ΠΎΠ³ΠΎ ΡΡΠ΄Π° ΠΌΠ΅ΡΠΎΠ΄ΠΎΠ², Π²ΠΊΠ»ΡΡΠ°Ρ Π½Π΅ΠΎΠ±ΡΡΠ½ΡΠΉ ΡΡΠ΅Π·ΠΌΠ΅ΡΠ½ΡΠΉ ΡΠΊΠ²Π°Π»Π°ΠΉΠ·Π΅Ρ, ΡΠ°Π·ΡΠΌΠ½ΠΎ ΠΎΠΏΡΠ΅Π΄Π΅Π»Π΅Π½Π½ΡΡ ΡΠ°ΡΡΠΎΡΠ½Ρ ΠΈΡΠΊΠ°ΠΆΠ΅Π½ΠΈΡ, ΠΎΡΡΡΡΠΎΠΉΠΊΡ, Π·Π²ΡΠΊΠΎΠ²ΠΎΠΉ Π΄ΠΈΠ·Π°ΠΉΠ½ ΠΈ ΡΠΈΠ½ΡΠ΅Π·-ΡΠ»ΠΎΠ΅Π². Π ΡΠ°Π·Π΄Π°ΡΠ΅ ΠΏΡΠΈΠΌΠ΅ΡΠ½ΠΎ 12 ΡΠ°ΡΠΎΠ² Π²ΠΈΠ΄Π΅ΠΎ.
Runtime: 11 Hours 40 Minutes
DVD Contents:
Disc One: The Kick
Introduction
An introduction to the DVD
Session 01: Drumazon:: 20 minutes.
We examine the D16 Drumazon 909 and how to program it for the foundations of a Hardstyle kick sound..
Session 02: 909 Synthesis: 20 minutes
Itβs not necessary to own or use the D16 for the kick and here we show how to program the same timbre in other drum synths..
Session 03: Clip Distortion: 25 Minutes.
Logic Proβs Clip Distortion is a fundamental part of the sound design, we examine its interface and use.
Session 04: Harmonic Processing: 20 minutes
Here we employ and examine further harmonic effects that are used in the creation of the kick.
Session 05: EQ Application: 30 minutes
In this session, we employ EQβs into the kick chain and discuss positioning in the chain.
Session 06: Further Processing: 35 Minutes
For this session, we look at applying further processing to begin building the foundations of the hardstyle kick.
Session 07: The Tok: 30 Minutes
With the basic hardstyle kick re-imported as audio, we explain the processing that can be used to produce the tok, or transient stage of the kick.
Session 08: The Bark: 25 Minutes
With the Tok complete, we examine how to edit and process audio to produce the bark of the kick.
Session 09: Pitching the Kick: 20 Minutes
We examine how to pitch the kick and also experiment with the previously programmed kicks.
Disc Two: Composition, Sound Design and Arranging
Session 01: Melodic Composition:: 40 minutes.
For the first session we examine how to compose a hardstyle melody using counterpoint to create dissonance.
Session 02: Melodic Rhythm: 15 minutes
For the second session, we examine and employ the use of triplets and rhythm into the melody.
Session 03: More Melodic Rhythm: 15 Minutes.
We continue from the previous session by examining further methods to add rhythm to hardstyle melodies.
Session 04: Lead Synthesis: 45 minutes
Here we investigate lead synthesis and begin to construct lead sounds with synthesisers and layering.
Session 05: Breakdown: 35 minutes
In this session, we examine the breakdown and the construction/composition of chords.
Session 06: The Reverse Bass: 35 Minutes
Here, we discuss the approaches and sound design for the reverse bass.
Session 07: Screeches & Motifs: 40 Minutes
In this session, we examine the screech, how to synthesise it and how to write motifs.
Session 08: Effects Chains: 30 Minutes
During this session we examine how to construct effects chains for chords.
Disc Three: Arranging and Further Sound Design
Session 01: More Lead Synthesis:: 30 minutes.
For the first session we examine more lead synthesis and layering to build a larger lead.
Session 02: Lead Effects Bus: 25 minutes
For the second session, we examine the typical effects bus that can be employed on leads.
Session 03: More Effects Chains: 20 Minutes.
We continue from the previous session and examine some alternative effects chains.
Session 04: Hardstyle Vocals: 25 minutes
Here we produce a skeleton vocal narration to explain the uses of effects with vocals.
Session 05: Arrangement Techniques: 50 minutes
In this session, we examine the basic techniques for creating builds, intros and how to modify the reverse bass in an arrangement.
Session 06: Arrangement Walkthrough: 35 Minutes
Here, we walkthrough a rough skeletal arrangement created using all the parts discussed throughout the tutorial.
Session 07: The Access Virus: 25 Minutes
In this final session, we show how to approach leads and screeches on the Access Virus Ti..