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[Dance Music Production] Hardstyle [2014, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡƒΡ€ΠΎΠΊΠΈ Π½Π° английском 

Π‘ΠΊΠ°Ρ‡Π°Ρ‚ΡŒ [Dance Music Production] Hardstyle [2014, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡƒΡ€ΠΎΠΊΠΈ Π½Π° английском 


[Dance Music Production] Hardstyle [2014, ENG]

Π“ΠΎΠ΄ выпуска: 2014
ΠŸΡ€ΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡ‚Π΅Π»ΡŒ: Dance Music Production
Π‘Π°ΠΉΡ‚: www.dancemusicproduction.com
ΠŸΡ€ΠΎΠ΄ΠΎΠ»ΠΆΠΈΡ‚Π΅Π»ΡŒΠ½ΠΎΡΡ‚ΡŒ: 11:40:00
Π’ΠΈΠΏ Ρ€Π°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°Ρ‚Π΅Ρ€ΠΈΠ°Π»Π°: Π’ΠΈΠ΄Π΅ΠΎΡƒΡ€ΠΎΠΊ
Π€Π°ΠΉΠ»Ρ‹ ΠΏΡ€ΠΈΠΌΠ΅Ρ€ΠΎΠ²: ΠΏΡ€ΠΈΡΡƒΡ‚ΡΡ‚Π²ΡƒΡŽΡ‚
Π€ΠΎΡ€ΠΌΠ°Ρ‚ Π²ΠΈΠ΄Π΅ΠΎ: MOV
Π’ΠΈΠ΄Π΅ΠΎ: AVC 1280x720 16:9 19,355fps 771kbps
Аудио: AAC 44,1 Hz stereo 128kbps 2 channels
Π―Π·Ρ‹ΠΊ: Английский
Автор: Dance Music Production
Π Π°Π·ΠΌΠ΅Ρ€: 5.04 GB

Hardstyle ΡΠΌΠ΅ΡˆΠΈΠ²Π°Π΅Ρ‚ влияния с ТСсткого транса, Ρ…Π°Ρ€Π΄ хауса ΠΈ Ρ…Π°Ρ€Π΄ΠΊΠΎΡ€Π°. Одним ΠΈΠ· Π½Π°ΠΈΠ±ΠΎΠ»Π΅Π΅ агрСссивных Ρ„ΠΎΡ€ΠΌ Ρ‚Π°Π½Ρ†Π΅Π²Π°Π»ΡŒΠ½ΠΎΠΉ ΠΌΡƒΠ·Ρ‹ΠΊΠΈ Π·Π°Ρ‡Π°ΡΡ‚ΡƒΡŽ с использованиСм ТСсткого, искаТСнной Π±ΠΎΡ‡ΠΊΠΈ, ΡΠΌΠ΅ΡˆΠ°Π½Π½Ρ‹ΠΉ срСди ΠΌΠ΅Π»ΠΎΠ΄ΠΈΡ‡Π½Ρ‹Ρ… ΠΏΡ€ΠΎΠ²ΠΎΠ΄ΠΎΠ² ΠΈ Π±ΠΈΠ½Π°Ρ€Π½Ρ‹Ρ… ΠΌΠΎΡ‚ΠΈΠ²Π°Ρ…. Он Ρ‚Π°ΠΊΠΆΠ΅ являСтся ΠΎΠ΄Π½ΠΈΠΌ ΠΈΠ· Π½Π°ΠΈΠ±ΠΎΠ»Π΅Π΅ слоТных ΠΆΠ°Π½Ρ€ΠΎΠ² Ρ‚Π°Π½Ρ†Π΅Π²Π°Π»ΡŒΠ½ΠΎΠΉ ΠΌΡƒΠ·Ρ‹ΠΊΠΈ для Ρ…ΡƒΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ², ΠΏΡ€ΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡ‚ΡŒ,трСбуя знания Ρ†Π΅Π»ΠΎΠ³ΠΎ ряда ΠΌΠ΅Ρ‚ΠΎΠ΄ΠΎΠ², Π²ΠΊΠ»ΡŽΡ‡Π°Ρ Π½Π΅ΠΎΠ±Ρ‹Ρ‡Π½Ρ‹ΠΉ Ρ‡Ρ€Π΅Π·ΠΌΠ΅Ρ€Π½Ρ‹ΠΉ эквалайзСр, Ρ€Π°Π·ΡƒΠΌΠ½ΠΎ ΠΎΠΏΡ€Π΅Π΄Π΅Π»Π΅Π½Π½ΡƒΡŽ частотну искаТСния, отстройку, Π·Π²ΡƒΠΊΠΎΠ²ΠΎΠΉ Π΄ΠΈΠ·Π°ΠΉΠ½ ΠΈ синтСз-слоСв. Π’ Ρ€Π°Π·Π΄Π°Ρ‡Π΅ ΠΏΡ€ΠΈΠΌΠ΅Ρ€Π½ΠΎ 12 часов Π²ΠΈΠ΄Π΅ΠΎ.


Runtime: 11 Hours 40 Minutes
DVD Contents:
Disc One: The Kick
Introduction
An introduction to the DVD
Session 01: Drumazon:: 20 minutes.
We examine the D16 Drumazon 909 and how to program it for the foundations of a Hardstyle kick sound..
Session 02: 909 Synthesis: 20 minutes
It’s not necessary to own or use the D16 for the kick and here we show how to program the same timbre in other drum synths..
Session 03: Clip Distortion: 25 Minutes.
Logic Pro’s Clip Distortion is a fundamental part of the sound design, we examine its interface and use.
Session 04: Harmonic Processing: 20 minutes
Here we employ and examine further harmonic effects that are used in the creation of the kick.
Session 05: EQ Application: 30 minutes
In this session, we employ EQ’s into the kick chain and discuss positioning in the chain.
Session 06: Further Processing: 35 Minutes
For this session, we look at applying further processing to begin building the foundations of the hardstyle kick.
Session 07: The Tok: 30 Minutes
With the basic hardstyle kick re-imported as audio, we explain the processing that can be used to produce the tok, or transient stage of the kick.
Session 08: The Bark: 25 Minutes
With the Tok complete, we examine how to edit and process audio to produce the bark of the kick.
Session 09: Pitching the Kick: 20 Minutes
We examine how to pitch the kick and also experiment with the previously programmed kicks.
Disc Two: Composition, Sound Design and Arranging
Session 01: Melodic Composition:: 40 minutes.
For the first session we examine how to compose a hardstyle melody using counterpoint to create dissonance.
Session 02: Melodic Rhythm: 15 minutes
For the second session, we examine and employ the use of triplets and rhythm into the melody.
Session 03: More Melodic Rhythm: 15 Minutes.
We continue from the previous session by examining further methods to add rhythm to hardstyle melodies.
Session 04: Lead Synthesis: 45 minutes
Here we investigate lead synthesis and begin to construct lead sounds with synthesisers and layering.
Session 05: Breakdown: 35 minutes
In this session, we examine the breakdown and the construction/composition of chords.
Session 06: The Reverse Bass: 35 Minutes
Here, we discuss the approaches and sound design for the reverse bass.
Session 07: Screeches & Motifs: 40 Minutes
In this session, we examine the screech, how to synthesise it and how to write motifs.
Session 08: Effects Chains: 30 Minutes
During this session we examine how to construct effects chains for chords.
Disc Three: Arranging and Further Sound Design
Session 01: More Lead Synthesis:: 30 minutes.
For the first session we examine more lead synthesis and layering to build a larger lead.
Session 02: Lead Effects Bus: 25 minutes
For the second session, we examine the typical effects bus that can be employed on leads.
Session 03: More Effects Chains: 20 Minutes.
We continue from the previous session and examine some alternative effects chains.
Session 04: Hardstyle Vocals: 25 minutes
Here we produce a skeleton vocal narration to explain the uses of effects with vocals.
Session 05: Arrangement Techniques: 50 minutes
In this session, we examine the basic techniques for creating builds, intros and how to modify the reverse bass in an arrangement.
Session 06: Arrangement Walkthrough: 35 Minutes
Here, we walkthrough a rough skeletal arrangement created using all the parts discussed throughout the tutorial.
Session 07: The Access Virus: 25 Minutes
In this final session, we show how to approach leads and screeches on the Access Virus Ti..