[MacProVideo] Music Theory 105 Basslines [2012, ENG] - Π²ΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊΠΈ Π½Π° Π°Π½Π³Π»ΠΈΠΉΡΠΊΠΎΠΌΒ
[MacProVideo] Music Theory 105: Basslines [2012, ENG]
ΠΠΎΠ΄ Π²ΡΠΏΡΡΠΊΠ°: 2012
ΠΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: MacProVideo
Π‘Π°ΠΉΡ ΠΏΡΠΎΠΈΠ·Π²ΠΎΠ΄ΠΈΡΠ΅Π»Ρ: http://macprovideo.com
ΠΠ²ΡΠΎΡ: Gregg Fine
ΠΡΠΎΠ΄ΠΎΠ»ΠΆΠΈΡΠ΅Π»ΡΠ½ΠΎΡΡΡ: 144 ΠΌΠΈΠ½ΡΡΡ
Π’ΠΈΠΏ ΡΠ°Π·Π΄Π°Π²Π°Π΅ΠΌΠΎΠ³ΠΎ ΠΌΠ°ΡΠ΅ΡΠΈΠ°Π»Π°: ΠΠΈΠ΄Π΅ΠΎΡΡΠΎΠΊ
Π€Π°ΠΉΠ»Ρ ΠΏΡΠΈΠΌΠ΅ΡΠΎΠ²: Π½Π΅ ΠΏΡΠ΅Π΄ΡΡΠΌΠΎΡΡΠ΅Π½Ρ
Π€ΠΎΡΠΌΠ°Ρ Π²ΠΈΠ΄Π΅ΠΎ: MOV
ΠΠΈΠ΄Π΅ΠΎ: AVC 960 ΠΏΠΈΠΊΡΠ΅Π»Π΅ΠΉ Π½Π° 540 ΠΏΠΈΠΊΡΠ΅Π»Π΅ΠΉ 16:9 10,000 ΠΊΠ°Π΄ΡΠΎΠ²/ΡΠ΅ΠΊ 254 ΠΠ±ΠΈΡ/ΡΠ΅ΠΊ
ΠΡΠ΄ΠΈΠΎ: AAC 44,1 ΠΠΡ 100,0 ΠΠ±ΠΈΡ/ΡΠ΅ΠΊ 2 ΠΊΠ°Π½Π°Π»Π°Β
Π―Π·ΡΠΊ: ΠΠ½Π³Π»ΠΈΠΉΡΠΊΠΈΠΉ
Π Π°Π·ΠΌΠ΅Ρ: Β 260 MB
Gregg Fine ΠΎΠ±ΡΡΡΠ½ΡΠ΅Ρ ΡΡΠ½Π΄Π°ΠΌΠ΅Π½ΡΠ°Π»ΡΠ½ΡΠ΅ Π²Π΅ΡΠΈ ΠΏΡΠΎ Π±Π°Ρ ΠΈ Π±Π°ΡΠΎΠ²ΡΠ΅ ΠΏΠ°ΡΡΠΈΠΈ. ΠΠ΅ΠΌΠΎΠ½ΡΡΡΠΈΡΡΠ΅ΡΡΡ Π½Π° ΠΏΡΠΎΡΡΡΡ ΠΏΡΠΈΠΌΠ΅ΡΠ°Ρ Ρ ΠΌΡΠ·ΡΠΊΠ°Π»ΡΠ½ΡΠΌ ΡΠΎΠΏΡΠΎΠ²ΠΎΠΆΠ΄Π΅Π½ΠΈΠ΅ΠΌ. Π ΠΊΡΡΡΠ΅ ΡΠ°ΠΊΠΆΠ΅ ΡΠ°ΡΡΠΊΠ°Π·ΡΠ²Π°ΡΡ ΠΏΡΠΎ Π±Π°Ρ Π² ΡΠ°Π·Π½ΡΡ ΠΆΠ°Π½ΡΠ°Ρ ΠΈ ΠΏΡΠΎ ΡΠΎ ΠΊΠ°ΠΊ ΡΠ°ΡΡΠΈΡΠΈΡΡ Π±Π°ΡΠΎΠ²ΡΡ ΠΏΠ°ΡΡΠΈΡ Π² ΠΊΠΎΠΌΠΏΠΎΠ·ΠΈΡΠΈΡΡ .Β
Get ready to track the bass with producer Gregg Fine in this "groove-along" course that will break down the bass lines and show you how to create your own grooves...
How many of your favorite songs can you name just from hearing the bass line? It's probably quite a few. Thatβs because the bass, when played and programmed by the pros, stands alone at bottom of the production where it serves as the foundation of the track! A great bass line can really make a good song even better! A powerful base line can act both as the foundation of the track and as another melodic hook within the track!
With his carefully crafted musical examples, Gregg gives you a great sense of how a bass line can evolve as your song builds. He uses musical notation so you can see and hear the bass and how it complements the song. Gregg explains how the bass serves to reinforce the chordal structure of a tune by βlandingβ on the different notes of the chords. He also explains the powerful relationship between the bass and kick. After all, the bass IS a member of the rhythm section!
What takes this bass line theory to even higher ground are Greggβs thoughtful examples and play-along grooves that allow you see and hear how great bass lines are constructed.Β